“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
“It would be hard for anybody who has dealt with suicide to not have a heightened awareness of things, to perhaps be a little more cautious about things.” A Colorado school district has officially pulled the book 13 Reasons Why out of circulation, reports The New York Post; not surprisingly, some librarians are rankled. Pair with this case against book banning, which focuses on number 15 on the list of 100 most challenged books released by the ALA, Toni Morrison's The Bluest Eye.
Last week, I wrote about Josh Weil and Mike Harvkey’s joint book tour, which sees the two driving a Prius across America to promote their latest novels. Now, in their latest dispatch, they reflect on the differences between writers like themselves and midcentury writers like Andre Dubus and Norman Mailer.
With past contributions by Joyce Carol Oates, Yusef Komunyakaa and Dana Goodyear, The Rattling Wall (which gets funding from PEN Center USA) appears to have no problem attracting prominent writers. For a limited time, get a three-year subscription at a discount of close to fifty percent.
According to the New York Post, a new installation by British artist Antony Gormley--life-sized, cast iron sculptures of men placed on rooftops and building ledges around the city--has caused some New Yorkers and NYPD officers to take the sculptures for live jumpers. Oh, the price of art!