“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
There’s no official protocol for responding to a disappointed fan, but that may change after more writers get wind of this response, written by Threats author Amelia Gray, to a man who complained that her book was “nothing more than conversations among insane people.” Gray admitted that the man’s gripe did, in fact, have merit, after which she urged him to buy a copy of A Time to Kill.
While doing some work for his publisher, Jesse Browner discovered something odd about a book he published twelve years ago. One sentence — one he thought of at the time as mostly unremarkable — went viral after the book came out, eventually reaching over two thousand hits on Google. What was it like to find this out? At The Paris Review Daily, he writes about the experience. You could also read our interview with our own Mark O’Connell on viral celebrity and his e-book Epic Fail.
What can you do with all the snow? Shelley Jackson is making stories out of it. The artist is writing a story entirely in snow. You can read the first 200 words of her tale on her Flickr. It begins, “To approach snow too closely is to forget what it is…”
Don’t miss Jon Cotner‘s “Poem Forest” at the NY Botanical Gardens Nov 4-5 and Nov 11-12, 12-4:30. It’s a self-guided tour that promises “a new kind of poetry experience, as well as a new kind of walking experience. Poet-walker Jon Cotner has fused lines selected from 2500 years of nature poetry with Thain Forest’s autumnal landscape.” Details at the Poetry Society of America.