“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
To read or NA to read
The Savage Memories
“In fact, I think Plath has turned out to be a much better poet than Hughes ever was. Of course he won all the prizes, and his name is on the stones in Poet’s Corner and OK, he’s pretty good, but not that good, whereas she gets better and better.” Granta interviews the critic Al Alvarez, onetime friend of Sylvia Plath and Ted Hughes.
Top Quark
The third annual 3 Quarks Daily Arts & Literature Prize will be judged by Chinese-American novelist Gish Jen. The first place award, called the “Top Quark” will win a cash prize of $1,000. Might we suggest nominating your favorite Millions article?
●
●
How to Write Like a Man
“She can write like a man, they said, by which they meant, She can write.” Claire Vaye Watkins writes for Tin House about the problem that has no name. Also check out this Millions piece on sexism in the age of the internet.
Paranoid Much?
At The Awl, Brian O’Neill makes the case that following the events of September 11th, America finally caught up to the mindset of Thomas Pynchon.
●
●
P.S.
The summer issue of Prairie Schooner has a short story of mine in it, as well as other good stuff, for most of which a subscription is required. You don’t need one, however, to read this short interview (very much in keeping with the Where We Write theme).
●
●