We’d been planning to brush up on our French, Swahili, and Klingon this summer, but a new contender might just grab us away. You can now learn to speak Dothraki – a fictional tongue from George R. R. Martin’s A Song of Fire and Ice series and the hit TV show Game of Thrones – with this $18 software course. Next: High Valyrian?
You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.
“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we're most excited about.
An illustration of why Cliffs Notes are never a substitute for the real thing.The Britannica Blog looks at "fun facts" about the 1,000 most popularly held books in libraries around the world, including this item: "Which author has the most works on the OCLC Top 1000 list? William Shakespeare (with 37 works). He is followed by Charles Dickens (16 works) and John Grisham (13 works)." Here's the full list where The Bible comes in at #1, the Census at #2, and Mother Goose at #3 (in 2,036 different versions and editions.) (via)Powell's is making a series of short documentaries about writers that will supplement and stand in for book tours. From the New York Times: "The British author Ian McEwan is the star of the first film, which is planned to run 23 minutes and will feature snippets from an on-camera interview with Mr. McEwan, as well as commentary from peers, fans and critics." The film is being put out to coincide with the release of his new novel, On Chesil Beach. (via)
Steve Almond treks deeper into familiar territory in the latest issue of The Baffler, wherein the essayist takes on “our lazy embrace of [Jon] Stewart and [Stephen] Colbert,” an undoubtedly strong “testament to our own impoverished comic standards.” Indeed, Almond notes, our satirists and comics today remain “careful never to question the corrupt precepts of the status quo too vigorously.”