In a new ten-part Believer series, Sheila Heti is interviewing ten of her “favorite people on Twitter” so they can “talk about what they do on Twitter and why – their Twitter philosophies, their do’s and don’ts, and what they make of the medium in general.” Kicking off the series, we have Heti’s interview with Kimmy Walters, who you may know better as @arealliveghost. (You can bookmark this link if you want to keep track of all of the updates.)
We haven’t seen a comic from Bill Watterson in two decades, but he’s back with an illustration. Watterson drew the poster art for a new documentary on comic strips Stripped, which also features him. There are no tigers to be found but a nude man jumping out of his clothes in full color instead.
“I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend.” Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, “the chaos of memories,” and becoming a writer. Pair with David L. Ulin‘s reflection on Bergman’s essay and the way we think about memory, written for the LA Times.
Want to publish anonymously (and then stay that way)? Be thankful you’re not friends with Charles Dickens.
Middlesex author and Pulitzer Prize winner (and Year in Reading alum) Jeffrey Eugenides has a new story out in this week’s issue of The New Yorker. Titled “Find the Bad Guy,” it may well be the first New Yorker story to show a character playing Words with Friends. Sample quote: “She had her arms around me, and we were rocking, real soft-like, the way Meg did after we gave her that kitten, before it died, I mean, when it was just a warm and cuddly thing instead of like it had hoof and mouth, and went south on us.”
Over at the Oyster Review Alexandra Edwards takes a literary tour of Florida, guided by “a few writers who chart Florida’s strange vacillation between the modern and the primordial,” including the likes of Elizabeth Bishop, Zora Neale Hurston and Ernest Hemingway. Our own Nick Moran has also profiled the literature of the Sunshine State, though his take was a little more “Floridapocalyptic.”