“Guilt and a feeling of never being satisfied with what you’ve done. And a sense that you are inadequate and a big phony. All useful for a writer. I’m always being edited by my inner nun.” An interview with the inimitable George Saunders, author of Tenth of December, on his approach to humor. Pair with: our own reviews of his stories.
Saunders on Humor
An American Tragedy
“As everyday existence becomes more punitive for all but the monied few, more and more frustrated, volatile individuals will seek each other out online, aggravate whatever lethal fairy tale suits their pathology, and, ultimately, transfer their rage from the screen world to the real one.” Gary Indiana reviews Masha Gessen’s The Brothers: The Road to an American Tragedy for the London Review of Books.
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Author as Commercial Mechanism
Has Edward St. Aubyn killed the existentialist novel? Jacob Kiernan at Full Stop Magazine has a few ideas about it. If it’s existential quandary you’re after, this essay for The Millions on the beautiful afterlife of books–which may not be so much of an afterlife, after all–will be perfect for you.
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What Bolano Read
Part 2 of "What Bolano Read" by Tom McCartan at Melville House.
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On Leading the Tiger
Notebook on Cities and Words
"We believe in the digital with abandon. So when something of artisanal quality is placed in our hands, or we see something hanging on a wall drawn by an actual hand, we feel a little shock. We remember how to feel something. Maybe not quite an emotion, but the touch of paper does something to us. We use our senses again." Celebrating fifty years of the French publisher L’école des Loisirs, Gnaomi Siemens reflects on the power of hand-drawn images and the future of the book.
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