Recommended viewing: a mashup of Neil Gaiman‘s advice on writing and clips from movies about, what else?, writing. And for more about Gaiman and writing, be sure to check out our own review of his book, The Ocean at the End of the Lane.
Neil Gaiman Gives Advice
Summer Reading, happened so fast.
Now that it’s officially summer, you might find yourself thinking about all of the books you might like to read in the sun. New Directions has a great list (summer of Lispector!), and of course there’s the LARB‘s #OccupyGaddis summer book club.
From Text to Triage
“Megan Gething jumped in to action and tied a pair of shorts around her friend’s leg to slow blood loss, using a tip she learned from the young adult science fiction novels.” A 12-year-old Massachusetts girl used what she read about creating a tourniquet from The Hunger Games to rescue her friend, reports the AP (via Book Riot). Guess the best YA books really do stick with you.
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Studies of Intensity
In his new book, one of three coming out now or soon, Australian poet Clive James assembles his decades of knowledge into a series of mini-essays, many of which originally appeared in Poetry magazine. At Slate, Katy Waldman reads the collection, explaining why it gave her the urge to quote James ad infinitum. You could also read our own Garth Risk Hallberg on the poet’s book Cultural Amnesia.
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Pamela or Plath?
I’m disappointed that I was only able to get 8/12 correct on the Guardian’s “Who’s the Poet: Pamela Anderson or Sylvia Plath” quiz, but I’m consoling myself with the fact that the 50% is the average.
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The Hip House Guest
Recommended Reading: Tyler Stoddard Smith’s essay on when Allen Ginsberg stayed with his family. “The following night, after Ginsberg’s poetry reading (why would I want to go to that?) a group of students eager for him to impart morsels of omniscience were forced to wait outside my room while we played video games on my Atari 2600—I destroyed Ginsberg at Frogger, but he eviscerated me on Combat.”
Poor Gatsby
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
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