Thomas Piketty, author of Capital in the 21st Century, has said that he drew inspiration from the social-criticism novels of Austen, Dickens, and Balzac. According to the LA Review of Books, the new Gilded Age that Piketty critiques has generated–and will continue to generate–social novels of its own.
“Mixer publishing, with guest editor Paul Tremblay (author of Swallowing A Donkey’s Eye), is offering a $1,200 honorarium for the best speculative/sci-fi story, graphic narrative (comic), or poem.” The contest deadline is June 30th.
Of more than 23,000 front-page articles that appeared in The New York Times between 1939 and 1945, only 26 were about the Holocaust. Watch a powerful 18-minute mini-documentary about “how and why the genocide of Jews was neglected and euphemised by the Times, and by extension, the American people.” Pair with our piece about the German traditions of the Denkmahl and Mahnmahl, two different kinds of memorials with subtle, yet important distinctions.
“Fantasy is a tool of the storyteller. It is a way of talking about things that are not, and cannot be, literally true. It is a way of making our metaphors concrete, and it shades into myth in one direction, allegory in another.” Neil Gaiman reviews Kazuo Ishiguro‘s The Buried Giant for the New York Times Book Review and considers the power, and risks, of fantasy. Pair with Ishiguro’s talk with The Telegraph about the 10 years since the publication of Never Let Me Go.
Ashwin Sanghi first published his book, The Rozabal Line, on Lulu.com under the anagram Shawn Haigins. A revised edition of the book was published by Westland Ltd. & Tranquebar Press much later, and garnered controversy with readers pointing out similarities between its plot and the 26/11 terrorist attack on Mumbai. Sanghi’s response? “Any book based on research could have real life commonalities.”
Recommended reading: Sean Singer reviews Poetry of Witness for The Rumpus and calls for readers to see “poems as ethical and political act[s] in the face of extremity.” Pair with selections from editor Carolyn Forché‘s essay on 20th century poetry of witness.
Books by Friends, a semi-regular feature at The Atlantic, sees writer James Fallows recommend the works of authors he knows. This week, he praises a book on the history of flight, a prediction for the economy and a jeremiad on American politics by Gary Hart. You could also read our own Kevin Hartnett on Fallows and American decline.