It’s just been announced that The Sound of Things Falling by Colombian author, Juan Gabriel Vásquez, translated from the Spanish by Canadian Anne McLean, is the winner of the 2014 International IMPAC DUBLIN Literary Award (and the €100,000 prize money). We discussed the Prize’s shortlist when it was released back in 2013, and profiled The Sound of Things Falling in our “Great Second-Half 2013 Book Preview.” Congratulations to Juan Gabriel Vásquez, and be sure to check out his prize-winning novel!
2014 IMPAC Award Announced
Red Dawn
Apropos of nothing, here are some books to read when your country is invaded by Russians.
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Writing to Win
Adam Gopnik at the New Yorker comments on why we still write to win prizes (and hails Mario Vargas Llosa for having “a lively personal life that includes once punching out another future laureate...Gabriel García Márquez, reportedly over something to do with Mrs. Vargas Llosa. The Nobel thus not only crowns a career but provides the basis for a fine future Javier Bardem/Antonio Banderas movie.”)
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“But poetry means making”
“We all use a ‘persona’ or mask, to some degree, all the time,” writes poet Robert Pinsky as he challenges the notion—widely held in English classes throughout the world—that a poem’s “speaker” is necessarily separate from a poem’s author. The latest release from Pinsky, the former Poet Laureate of the United States, is Selected Poems, and you can hear him read some excerpts in this video.
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How to Commit True Crimes
Some criminals in my home town of Calgary, Alberta, were recently picked up in a drug bust. Their drugs, weapons, and cash were all confiscated. But did the cops take away their autographed copy of Crime School: Money Laundering? Full credit: Moby Lives totally scooped us on this thrilling story of criminal readers.
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“He could easily get seasonal work as a shopping-mall Santa.”
"Mad scientist of smut" Nicholson Baker gets the New York Times treatment.
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A Proper Sociopath
Last week, I pointed readers to a recording of Benedict Cumberbatch on BBC Radio, reading Kafka’s Metamorphosis. Over at Slate, Rebecca Schuman explains why Cumberbatch is the story’s ideal reader, unpacking his “withering, perfectly enunciated deadpan.”