If news of László Krasznahorkai winning his second straight Best Translated Book Award for his recent novella, Seiobo There Below, got you interested in reading the Hungarian author’s works, then look no further. Scott Esposito offers a handy road map entitled “Krasznahorkai: A Guide for the Perplexed and Fascinated.”
“Wallace’s status has rapidly evolved from marginal writer, noted for long, experimental work, to indispensable reference point for people writing about almost anything—from college football to WikiLeaks.” On the powerful afterlife of David Foster Wallace.
“Is the reason to have a home, as the narrator in Jenny Offill’s Dept. of Speculation, asserts, ‘to keep certain people in and everyone else out’? Or does home, as the narrator in William Maxwell’s autobiographical novel So Long, See You Tomorrow suggests, work primarily as a scaffolding of known things — as a place to read, a place to stash the damp umbrella, a place to listen to the porch swing creak?” Beth Kephart on the literary significance of home.
In The Guardian, Year in Reading alum Joshua Ferris writes a tribute to the novelist Jim Shepard, who taught him at UC Irvine when Ferris was a student there in the early aughts. Ferris makes a case that Shepard single-handedly settles a modern debate: “A lot of critics dislike the professionalisation of creative writing. They have never had Shepard in a workshop.”
As the lone mental hospital in The Magic Mountain referred to by its real name, the Hotel Schatzalp is a holy site for many Thomas Mann scholars and fans. At Page-Turner, Sally McGrane writes about the modern hotel, which employs a staff trained to deal with the occasional “literary fanatic.” (It also might be a good time to read Matthew Gallaway on Death in Venice.)