At Full Stop, the editors interview Susan Bernofsky, who directs the literary translation program at Columbia and has published translations of works by Robert Walser, among other writers. She talks about German phrases that rarely appear in English, as well as the ethics of translating a work faithfully: “I think it’s the translator’s responsibility to be so attuned to the requirements of a given text (and the universe of the author) that these inevitable interventions are always appropriate and never arbitrary or willful,” she says. You could also read Tanya Paperny on the translator Michael Henry Heim.
Weltschmerz
Confessional Criticism
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
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“That’s Just My Life and It Seems Quite Normal to Me.”
Goodbye to King of the Blurbs
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. “Literature can and will go on without my mass blurbing. Perhaps it may even improve.” Pair with: Our own Bill Morris’s essay on whether or not to blurb.
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Anna Karenina in Somalia
Leo Tolstoy's Anna Karenina has changed readers' lives for generations, but for Mohamed Barud, the epic novel saved his life.
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Not as Scary as Meeting Norman Mailer
Readers of The Neal Pollack Anthology of American Literature most likely have a good idea of just how much the late Norman Mailer was a wellspring of jokes about writers. The pugilistic novelist, journalist and failed mayoral candidate did choose to title a collection of his work Advertisements for Myself, after all. Yet as Andrew O’Hagan notes in the LRB, it’s hard not to admire the cojones on a guy who once told a prominent editor he was “still too young and too arrogant to care to write the kind of high-grade horseshit you print in Harper’s Bazaar.”
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Miles Klee Gets Interviewed All Over the Place
Ivyland author (and enthusiastic Tumblr-er) Miles Klee was interviewed by Matt Hackett, and a snippet was posted on Tumblr’s new Storyboard blog. If you like what you see, you can get even more from Klee courtesy of his recent Other People Podcast with Brad Listi.
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Edinburgh Fringe Festival Joke-Off
Nick Helm took home the Edinburgh Fringe Festival’s top humor prize for this groan-worthy joke.
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