Book Three of Karl Ove Knausgaard’s My Struggle is out this week, as is a new novel by Millions contributor Emma Straub. Also out: The Lobster Kings by Alexi Zentner; The Untold by Courtney Collins; Above the East China Sea by Sarah Bird; Fourth of July Creek by Smith Henderson; and a new volume of the Collected Works of Gerard Manley Hopkins. For more on these and other new titles, check out our Great 2014 Book Preview.
Tuesday New Release Day: Knausgaard; Straub; Zentner; Collins; Bird; Henderson; Hopkins
What to Believe In
Recommended Reading: Rene Denfeld and Stephanie Feldman on the line between realism and fantasy in their debut novels.
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Dark Matter
Next week, Martin Amis will publish Zone of Interest, a dark new novel that takes place, like his earlier Time’s Arrow, in Nazi-occupied lands during the Holocaust. In this week’s New Yorker, Joyce Carol Oates reviews the book, suggesting that Amis is most compelling when he writes as a “satiric vivisectionist.” You could also read our own Mark O’Connell on Lionel Asbo: State of England.
The Elmore Enigma
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
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Fact or Fiction?
Recommended Reading: A fascinating interview from The Rumpus with Susan Shapiro. Shapiro’s newest novel, What’s Never Said, is out now from Heliotrope Books. You may also be interested in Beth Kephart‘s essay for The Millions about the utility of the outward-looking memoir and its crossover with other genres.
Wilkinson on American Imposters
Millions staff writing appearing elsewhere: At In Character, my essay about Derrick Borte’s The Joneses and the idea of the American impostor (ECW).
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Language, the Savior
At The Guardian, Jhumpa Lahiri recounts the path that led her to write her latest book in Italian, one of the most anticipated books of 2016. As she puts it, “A week after arriving [in Rome], I open my diary to describe our misadventures and I do something strange, unexpected. I write my diary in Italian. I do it almost automatically, spontaneously. I do it because when I take the pen in my hand I no longer hear English in my brain. During this period when everything confuses me, everything unsettles me, I change the language I write in.”
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