Patrick Somerville’s latest novel, This Bright River, was recently reviewed in The New York Times by Janet Maslin, who found the book to be, among other things, “soggy.” Unfortunately, some of her critique was based on a mistaken reading of Somerville’s work. I’ll let Patrick take it from here.
Art Spiegelman spoke with NPR’s Weekend Edition about his issues with depth perception, his work habits, his changing art interests, and how Maus came about. Bonus: Charles-Adam Foster-Simard checked out the Vancouver Art Gallery’s Spiegelman exhibit last summer.
“He taught me that poetry can be anything and with that comes great freedom.” Reminiscences by a former student of the poet John Ashbery upon his death. And for a contemporary take on the question of just what, exactly, poetry is and/or might be, see our recent conversation between Jill Bialosky and Matthew Zapruder.
David Mitchell fans, good news! The author of The Bone Clocks and Cloud Atlas will publish a new novel called Slade House this coming October. Even better? It’s based on his short-story-via-Twitter, “The Right Sort,” which The Millions first collected and published.