Julia Fierro discusses her new book Cutting Teeth and the anxiety of privileged Americans in the digital age with Tin House. “They should be happy, but they aren’t, and they are aware that they are not and that they should be, and this awareness makes them loathe themselves.”
"When you go to Narnia, your worries come with you. Narnia just becomes the place where you work them out and try to resolve them." Lev Grossman writes for The Atlantic about The Lion, the Witch and the Wardrobe and why fantasy isn't escapism. Pair with our own Edan Lepucki's review of Grossman's latest novel, The Magician's Land.
Penelope Fitzgerald has been getting a lot of attention lately, largely due to Hermione Lee's newest biography. In an article for the Paris Review, Bridget Read considers the impact a better understanding of Fitzgerald's life could have on her modern reputation, and argues that "it is not extraordinary that she became a prize-winning novelist, though you may have heard otherwise. ... It is vital to emphasize that Fitzgerald’s novels were not achieved in spite of her domestic life; they were borne directly out of it. Her work is radical in that it suggests that, in fact, a feminine experience, a liminal experience, might be better equipped than a male one to address the contradictions of human existence taken up by the greatest literature."
It's a brand new week and Football Book Club is reading Ray Russell's The Case Against Satan. For those of you scoring at home, that's an exorcism novel written by a former executive editor of Playboy. Plus posts about Elizabeth Kolbert's The Sixth Extinction and Carmen Giménez Smith’s Milk and Filth.
Chris Adrian's The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally -- as none of the editions favored by The Atavist's young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.
"A dark and insane fantasy about the players large and small who populated our post-9/11 landscape, it's not just the book we've maybe wanted but possibly the book we've needed — a strange lens to help us understand who we were, what we've done and who we may yet become." Nathan Deuel reviews Mark Doten's The Infernal (which Adam Fleming Petty reviewed for the Millions here) for the LA Times.
Readers of The Neal Pollack Anthology of American Literature most likely have a good idea of just how much the late Norman Mailer was a wellspring of jokes about writers. The pugilistic novelist, journalist and failed mayoral candidate did choose to title a collection of his work Advertisements for Myself, after all. Yet as Andrew O’Hagan notes in the LRB, it's hard not to admire the cojones on a guy who once told a prominent editor he was “still too young and too arrogant to care to write the kind of high-grade horseshit you print in Harper’s Bazaar."
Writing for Airship Daily, Freddie Moore provides an overview of ten of her favorite unpublished J. D. Salinger stories. She also shares instructions on how to find – while being careful not to link directly toward – a “207-page trove of 22 out-of-print pieces available online.” This is for the best, considering the relationship between the Catcher in the Rye author, his unpublished works, and U.S. copyright.