Julia Fierro discusses her new book Cutting Teeth and the anxiety of privileged Americans in the digital age with Tin House. “They should be happy, but they aren’t, and they are aware that they are not and that they should be, and this awareness makes them loathe themselves.”
Shiny Unhappy People
The Long-Awaited Return of Gayl Jones
Gayl Jones published her first novel in 1975. It was hailed by James Baldwin, Toni Morrison, and John Updike. Then Jones disappeared from the literary scene. Now she's releasing her first novel in 20 years.
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Fantastisch
In 1980, Julio Cortázar gave a series of lectures at Berkeley, which you can now read in the slim, simply-titled volume Literature Class. Among the highlights? This sentence: “I had lived with a complete feeling of familiarity with the fantastic because it seemed as acceptable to me, as possible and as real, as the fact of eating soup at eight o’clock in the evening.”
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Good Luck
Your inner monologue is whip-smart. You can’t imagine life outside Manhattan. You’ve had multiple husbands, all of whom left you for other women. Is it possible you’re in a Grace Paley story?
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Hazlitt, will publish.
Random House Canada launched a new website yesterday, and a new internet magazine to go along with it. There’s a piece from Hari Kunzru on Werner Herzog, and I’m especially taken with this one from Emily Landau on Christopher Hitchens and David Rakoff.
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I’ll Be Your Unicorn
When job interviews and Tinder combine, what is the outcome? Megan Sawey shows us at The Rumpus. Pair with an essay on day jobs and fiction writing.
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The Best Episode of Science Friday Ever?
Public radio program Science Friday has quite a lineup on tap this week: “Science and art often seem to develop in separate silos, but many thinkers are inspired by both. Novelist Cormac McCarthy, filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings.” (via @maudnewton)
The Odd Poe Out
As Kevin Jackson notes in Prospect Magazine, Edgar Allan Poe differs from many of his contemporary American authors in that he’s often treated with “a hint of condescension and a splash of pity somewhere in the mix” by modern English students. And yet his influence perseveres. He is, after all, the only author with an NFL namesake. And he’s apparently huge in France. So what gives?
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