How do you write poems about a culture that has been erased from history and one you don’t fit into? Tess Taylor delved into the complications of her Southern family’s past for The Forage House and attempted to excavate the unwritten parts of their history. “The non-writing down of people is intensely violent,” she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne’s essay on the collection and its implications.
BOMB Magazine is collaborating with Farrar, Straus & Giroux to commence their “Something Out of Something” design contest. Participating designers, writers, and artists are invited to “draw inspiration from the written work of Israeli short story writer and filmmaker Etgar Keret to create visual art of their own.” Winners will receive $500, a personalized copy of Suddenly, a Knock on the Door, and their artwork’s appearance in a Keret story or film. You can read the full details on the contest’s Tumblr and Facebook pages.
Librarians might frown on P.D.A. in the library, that is, Public Displays of Affection by canoodling college couples. But another kind of P.D.A. might bring a different, more welcome sort of disruption to the library: Patron-Driven Acquisition, a model of e-book licensing that aims to relieve library purchasing agents from spending thousands on books nobody will end up reading.
For two weeks last summer, Colin Dickey sailed around the coast of Svalbard in the Arctic Circle. On one occasion, his voyage was stalled by heavy fog, and his group was obligated to anchor near Amsterdamøya. As one does, he used the occasion to ruminate about scurvy – or “polar night disease” – which claimed the lives of many sailors buried in the area’s graves.
In 2006, the National Library of Norway enacted an ambitious plan to digitize every book in its holdings by 2020. The idea is that all of the content (even works under copyright) will be accessible to people logging into the system with a Norwegian IP address.