How do you write poems about a culture that has been erased from history and one you don’t fit into? Tess Taylor delved into the complications of her Southern family’s past for The Forage House and attempted to excavate the unwritten parts of their history. “The non-writing down of people is intensely violent,” she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne’s essay on the collection and its implications.
Salvaging the Unwritten
Cocktail Hour
“0.5 hrs: Read this week’s New Yorker fiction. 0.7 hrs: Hated on New Yorker writer with her derivative characters & mise-en-scenes. 0.1 hrs: Looked up ‘mise-en-scene’ on Wikipedia. 1.3 hrs: Phone call with writer friend; discussed how much New Yorker fiction sucks. 0.5 hrs: Drafted & emailed query letter to New Yorker (for super postmodern story).” The good people at McSweeney’s imagine an impossibly tedious world where writers and poets bill by the hour.
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Sarah M. Broom on Unfinished Work
"The unfinished work is no less real, or necessary, or powerful than the book," Broom says in a recent Whiting Foundation speech.
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Recommended Reading: Saturday Special
Recommended Reading: “Gregory’s Year” by Gospel of Anarchy author Justin Taylor.
A Bar Bet, Settled
Our friends at More Intelligent Life tot up the most common titles found on New York’s street-corner book stalls.
Tuesday New Release Day: Haruf; Johnson; Bacigalupi; Nichols; Taylor
New this week: Our Souls at Night by Kent Haruf; Loving Day by Mat Johnson; The Water Knife by Paolo Bacigalupi; The Rocks by Peter Nichols; and The Shore by Sara Taylor. For more on these and other new titles, check out our Great 2015 Book Preview.
Donald J. Sobol Passed Away
Donald J. Sobol, author of the Encyclopedia Brown series, passed away last week at age 87.
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Allison Parrish’s Generated Novel
Two years ago, Allison Parrish produced a diary of an expedition through “fantastical places that do not exist.” The twist? The diary was generated by a computer program, which extracted more than 5,700 sentences drawn from Project Gutenberg and later recombined at random by “switching out grammatical constituents.” An extract of the finished work, interspersed with Parrish’s nonfiction essay, can be read here.