What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
Neil Gaiman's newest graphic novel isn't even out yet, but it already has a movie deal. His update on the Brothers Grimm fairytale Hansel and Gretel with illustrations by Lorenzo Mattotti comes out on October 28, and Juliet Blake is developing a live action version. Hopefully, it's better than Hansel & Gretel: Witch Hunters.
Our regular contributor Sonya Chung is interviewed in the latest issue of Bookslut, discussing her new book Long for This World. "I write novels because it’s a place where I can bring all of who I am, and what I know, and what I don’t know but want to know, into a coherent, created world."
Some world literature links: Sign and Sight offers the best introduction to Herta Müller I've been able to find...The Complete Review gets the ball rolling on Roberto Bolaño's (very) early novel Monsieur Pain, forthcoming from New Directions...Ingo Schulze, author of the quietly astonishing New Lives and the forthcoming One More Story, talks to The Toronto Star (via)...The NBCC features Yu Hua's Brothers...Claudio Magris is crowned the king of Frankfurt...Maud Newton hails Juan Gabriel Vásquez's "inventive and intricately plotted" The Informers...The Brooklyn Rail and Transcript both offer handsome online digests of short stories from around the world.