What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
“Elizabeth Hardwick, a formidable feminist in a different key, declared, ‘I don’t know what happened. She got swept too far. She deliberately made herself ugly and wrote those extreme and ridiculous poems.’” On the (difficult) art and activism of Adrienne Rich.