What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.
This Friday Slate will premiere its first monthly book review feature. On the first weekend of every month, the Slate Book Review will take over the site’s main page. Senior culture editor Dan Kois told the New York Times that he was displeased to watch newspaper after newspaper scrapping their book sections; “it didn’t seem to me that there was less of an appetite for good writing about books.”
Peter Menzel and Faith D’Aluisio photographed 30 families in 24 countries, each time surrounding their subjects with their weekly food purchases. Their work was collected in their What the World Eats photo album, but you can take a look at some of their pictures over here.