What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
Anna Sun profiles the work of Mo Yan, the latest winner of the Nobel Prize for literature. While Sun acknowledges Yan’s popularity and prolific output, she also notes that what the Nobel committee referred to as “hallucinatory prose” is more often than not “repetitive, predictable, coarse, and mostly devoid of aesthetic value.” Indeed, Sun writes, “the English translations of Mo Yan’s novels … are in fact superior to the original.” [Ed. Note: It appears the Kenyon Review link was briefly not working; this Google cache may work better — h/t Dan Farrely]
AWP Attendees: Millions editor and founder C. Max Magee will be on a panel at AWP on Friday. “Ask Not What the Internet Can Do for You: Shifting Our Perspective on Internet Publishing as an Alternative to Major Market Publishing” will discuss electronic publications as central to the needs of 21st-century writers and readers, and not as entities serving as secondary iterations of preexisting publications. The panel is at 3pm in Virginia A Room, Marriott Wardman Park, Lobby Level. See you there!
I’ve mentioned here before that I’m currently getting my masters in new media journalism in the Medill School of Journalism at Northwestern. As such, expect to see the occasional post on the topic from here on out. To that end, I want to mention Dan Gillmor’s book We the Media. Gillmor is well-known for his blog which is, broadly speaking, about the blogging phenomenon itself. The book takes on the question of where blogs fit into the panoply of the media. It’s worth a look for anyone who’s wondered if these here blogs are good for anything beyond killing time in their cubicles. Best of all, the entire book is available for free at the publisher’s website.That’s enough new media for now. In other news Michael Chabon’s new Sherlock Holmes tale, The Final Solution: A Story Of Detection, is out tomorrow. We’ll see what the reviews bring, but in the meantime, take a look at this excerpt.Finally, have a look at this: A Colorado man is compiling “The Great Library Card Collection.”
A startling conclusion from this data visualization of where in words each letter of the alphabet tends to fall: “the most common word may be ‘the, but the most representative word is ‘toe.’ ” (Also available: detailed methodology and algorithms for the data geeks; an explanation of data-viz as a narrative form for everyone else.)
Fans of the French Oulipo movement will know about A Void, the Georges Perec novel written entirely without the use of the letter “e.” What very few readers of any kind know, however, is that in 1939, thirty years before Perec’s novel was published, Ernest Vincent Wright wrote a book in English, Gadsby, that hewed to these same constraints. At The Atlantic, Nikhil Sonnad investigates how this experiment plays out in the book.