Do yourself a favor and pick up a copy of Stonecutter. In the most recent issue, you’ll find our own Lydia Kiesling’s essay on cigarettes and literature; in Issue #2, you’ll find Mark O’Connell discussing Roberto Bolaño’s Between Parentheses. You read that correctly: 50% of all Stonecutter issues feature Millions staffers.
Last week, Erin Fortenberry reviewed Walter Kirn’s Blood Will Out for The Millions, writing that the events in the book were partly centered on Kirn himself. Now, in the Times, Janet Maslin reads the book, which struck her as “primarily a tale of seduction.”
Don’t worry, you don’t have to learn a new language to read the new Haruki Murakami book. Last week, our own Nick Moran wondered when Murakami’s latest would be getting an English translation. Knopf Doubleday publicity director Paul Bogaards revealed it should be out by 2014.
Three decades after his death, the work of Romanian writer Max Blecher remains largely unavailable in English. Ricky D’Ambrose writes for The Nation about Blecher’s work. As he puts it, “Max Blecher is an obsessive saboteur of the breach between two seemingly irreconcilable positions: revulsion and lust.”
Following the launch of a new £10,000 “innovative” literary prize by Goldsmiths College and the New Statesman, Chad Post takes a look at the current state of American literary awards. His opinion? “America is The Worst for trying to equate popularity with quality.”
What would happen if two percent of the world’s population disappeared overnight? HBO’s new teaser for its adaptation of Tom Perrotta’s The Leftovers asks us to contemplate that question. From what we see so far, it looks terrifying. The series premieres on June 15.
Last night I went to listen to Chris Kraus, Tamara Faith Berger, and Sheila Heti read the dirty parts of their books. Then I wrote a #LitBeat about it. For a little extra context, you might like to also read this article, written by Elizabeth Gumport for n+1, on Kraus’s writing and publishing career.