Gordon Willis, the celebrated cinematographer who worked on The Godfather films and Annie Hall, passed away Sunday at the age of 82. The Paris Review has posted a short “In Memoriam,” which serves as both a wonderful introduction to the work of this artist and a knowing celebration of his work, complete with a video of Manhattan‘s bridge scene and an interview with Willis himself.
In anticipation of their 30 Below Story Contest, Narrative Magazine is highlighting work published on their site by writers under 30. Today my story, “I am the Lion Now,” has been added to the list.
“If Earth overheats and crops and fuel become scarce, guess what? I know good bartering supplies include tampons, mercury fillings, eyeglasses. One particularly anxious day I read instructions on how to cook on my woodstove—so in the early days of environmental apocalypse and culture collapse, my family will enjoy bygone potatoes roasted over hot coals and underdone loaves of bread.” Year in Reading alumna Megan Mayhew Bergman prepares herself for the apocalypse.
Jessica Francis Kane’s mother worked for Playboy back in the 1960s, a time “when it was an intellectual magazine as well as a pinup, when people really did subscribe to it for the articles.” Over at The Morning News, Kane shares a fascinating interview with her mother, and they talk about what it was “like to be a woman … in such a sexy workplace at such a weird time.”
“Why, after all, do writers write? What is the impulse, the insistence on story, on seeing and representing the world? It has little to do with technology although everything to do with narrative, which is a purpose that, on the surface, technology also seems to share. The difference is that the writer creates narrative with intention, whereas technology merely gathers, or processes, information, leaving interpretation, analysis, up to us.” Let’s just say David L. Ulin doesn’t think Joyce would work for Google.