Gordon Willis, the celebrated cinematographer who worked on The Godfather films and Annie Hall, passed away Sunday at the age of 82. The Paris Review has posted a short “In Memoriam,” which serves as both a wonderful introduction to the work of this artist and a knowing celebration of his work, complete with a video of Manhattan‘s bridge scene and an interview with Willis himself.
In Memoriam: Gordon Willis
What Labor Is
Over at Slate, Pamela Erens explores how descriptions of childbirth have disappeared from contemporary novels. Also check out Claire Cameron’s Millions interview with the author and Martha Anne Toll’s review of Erens’s new novel, Eleven Hours.
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2666: The Movie?
JW McCormack has some Notes Toward [A Potential] Film Adaptation of Roberto Bolaño’s 2666 up at The American Reader. As somebody who can’t even fathom making Cormac McCarthy’s decidedly less brutal (although still unimaginably brutal in its own way) Blood Meridian into a film, let me tell you: the idea of turning 2666 into a theater-ready motion picture seems impossible. (P.S. You really should just read both of those books…)
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Book ’em, Danno!
Don’t forget to return your library books in Texas. This year an Austin man was arrested for failing to return a GED study guide that was three years overdue. Fines and arrest warrants are the new way to break even in towns with shrinking budgets. Other states, such as Iowa, Vermont, and Maine, are joining in.
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Manic Paranoid Torpor
“Soldiers eat beef teriyaki and chicken cavatelli M.R.E.s in a war zone where ‘armored ruins’ line the roads, ‘charred corpses scattered in among the blasted metal’; and sniper fire and I.E.D. ambushes are a constant threat: ‘the chaos out there, the crazy Arabic writing and abu-jabba jabber, the lawless traffic, the hidden danger and buzz and stray bullets and death looming from every overpass.'” Michiko Kakutani reviews Roy Scranton’s War Porn for The New York Times. Here’s an old review from The Millions that shares a bit of Scranton’s lingering sentiment regarding the war.
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