Flushed with cash after the runaway success of Thomas Piketty’s Capital in the Twenty-First Century, the Harvard University Press has decided to offer a 20% discount off two dozen works on capitalism and its discontents. Get to it while the gettin’s good.
To date, Hercule Poirot, the Belgian detective created by Agatha Christie, is the only fictional character to get his own obit in the Times. At the LARB, Rumblr editor Molly McArdle looks back on Poirot, the very long-running TV series that ended on November 13th. (h/t The Rumpus)
From one muckracker to another: Thomas Frank on Mailer and Miami.Fear and Loathing at Build-a-Bear WorkshopThe folks at n+1 on Obama and the culture war reduxSarah, the book, nibbles at the edges of Amazon’s Top 10, sparking its own kind of culture war in the reviews section (scroll down)Can Palin! The Musical be far behind?A new tool for mapping bookstores, chain and indieFor Salvadoran novelist Horacio Castellanos Moya, politics are a genetic burdenFrank O’Hara…yeah, New York will do that to youJonathan Yardley on the venerable Elements of StyleDon’t blame me…I voted for Kodos
On the rediscovery of Georges Perec‘s first novel, Portrait of a Man Known as Il Condottiere, a book “connected by a hundred threads to every part of the literary universe that Perec went on to create—but not like anything else that he wrote,” from the New York Review of Books.
“Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor ‘useful.’ He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive.” Every time James Wood publishes a big profile in The New Yorker, it’s worth a read; this week’s essay on the “secular psalmist” and poet Yehuda Amichai is no different.