In a piece for The Atlantic, Micah Mattix responds to the 50th Anniversary Edition of Lunch Poems with a reflection on the social media-esque quality of Frank O’Hara‘s poetry. “O’Hara’s Lunch Poems—like Facebook posts or tweets—shares, saves, and re-creates the poet’s experience of the world. He addresses others in order to combat a sense of loneliness, sharing his gossipy, sometimes snarky take of modern life, his unfiltered enthusiasm, and his boredom in a direct, conversational tone. In short, Lunch Poems, while 50 years old, is a very 21st-century book.”
“Wallace’s status has rapidly evolved from marginal writer, noted for long, experimental work, to indispensable reference point for people writing about almost anything—from college football to WikiLeaks.” On the powerful afterlife of David Foster Wallace.
“The short story, as a form, has plenty of defenders,” the collection of unconnected short stories, maybe not so much. In an essay for LitHub, regular Millions contributor Jonathan Russell Clark praises the unlinked stories of Barbara the Slut and Other People and Single, Carefree, Mellow because “despite a lack of the wholeness of a novel, something complete and true and hard-won emerges by the end.”
“I used to go out in the brush sometimes,/So far out there no one could hear me,/And just burn.” In the new issue of Gulf Coast, Nico Alvarado writes poems from the perspective of Friday Night Lights’s Tim Riggins including “Tim Riggins Speaks of Waterfalls” and “Tim Riggins Invents a New Number.”