Watching your book be adapted into a film can be a challenge for an author. At Vulture, John Green discusses his involvement in The Fault in Our Stars adaptation, which he has nothing but positive things to say about. “It was a joke on the movie that I cried every day. But I cried every day because they were good every day!” The film’s full trailer was released this week, and in case you still haven’t read the novel, here’s our review.
“How had no one ever told me about (Othello‘s) Emilia, who, in only a couple of lines, brings down one of the most conniving, merciless villains in all of Western literature? How had no one told me about this fantastic female character who defies not one but two sword-wielding men in order to make sure Desdemona, her mistress and friend, receives justice? I wanted to rip up my diploma. I wanted to start over as a freshman and devote my entire undergraduate career to the Gospel of Emilia.” On Othello’s Emilia and her refusal to be silenced.
David Orr investigates the day jobs of some modern poets, and notes “the university job is a relatively recent development in Anglo-American poetry.” Indeed, as this playful illustration from Incidental Comics makes clear, poets have engaged in a wide array of salaried jobs – from pediatricians to bank clerks to diplomats. Previously, we took a look at writers and their day jobs, too.
Japanese director Satoshi Kon died last Tuesday at the age of 46. His last words, a rambling text that his family uploaded to the Internet following his death, have just been translated to English: “Everyone, thank you for all the truly great memories. I loved the world I lived in.”
New this week: Craig Thompson’s long-awated follow up to Blankets is here. Stay tuned for our review of Habibi later this week. Also new: Neal Stephenson’s Reamde, Aravind Adiga’s Last Man in Tower, Joe McGinniss’s much leaked exposé The Rogue: Searching for the Real Sarah Palin, and a new, posthumous collection of Shel Silverstein’s poetry and drawings, Every Thing On It.