Writing Workshops LA – which was founded by our own Edan Lepucki – is hosting “The Conference” on June 28 of this year, and the day-long event will consist of “educational and thoughtful panel discussions as well as smaller, in-depth presentations and workshops aimed at informing and inspiring every attendee.” Presenters will include award-winning literary agents, editors, and writers including Joanna Rakoff, Adam Wilson, David L. Ulin, Counterpoint’s Dan Smetanka, and Daniel Gumbiner of McSweeney’s. Don’t miss your chance to sign up for the early bird special before April 15th – the first 40 attendees will also get an invitation to a literary pub quiz event the night before.
Writing Workshops LA: The Conference
On Literary Blogging
Book Snobbishness: “Using your personal taste or literary standards to dictate to other people what they should spend their time or money on. It’s not just about looking down on someone for reading romance or science fiction (though that’s part of it, of course), but also about shaming readers for where they spend money or the format in which they read.” Amanda Nelson, managing editor of Book Riot, sits down with 0s&1s to talk about gender, books and blogging. To get your fill of literary blogging, check out our list of must-read literary Tumblrs.
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The Personal Is Political, the Political is Personal
Over at Electric Literature, John Freeman profiles Year in Reading alumnus Ben Lerner, newly minted MacArthur genius and author of two novels in which “the political opens a path for the personal, just as the personal urges him to engage the political.” Freeman writes, “This blending—of perception and politics—comes right out of how Lerner sees the world in real life.” Pair with Christopher Wood’s Millions review of Lerner’s 10:04.
Intersections and Turns
Recommended Reading: Noy Holland on writing fiction, a form rooted in deft timing, accidents, and revelations.
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The Master and the Big Screen
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.
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