Writing Workshops LA – which was founded by our own Edan Lepucki – is hosting “The Conference” on June 28 of this year, and the day-long event will consist of “educational and thoughtful panel discussions as well as smaller, in-depth presentations and workshops aimed at informing and inspiring every attendee.” Presenters will include award-winning literary agents, editors, and writers including Joanna Rakoff, Adam Wilson, David L. Ulin, Counterpoint’s Dan Smetanka, and Daniel Gumbiner of McSweeney’s. Don’t miss your chance to sign up for the early bird special before April 15th – the first 40 attendees will also get an invitation to a literary pub quiz event the night before.
New writers need to trust themselves, Marilynne Robinson advises in an interview with Thessaly La Force for VICE. “The idea that you might do something radically brilliant—that assumption is very empowering and it has given the world a lot of really interesting things to look at,” she said.
Out this week: Between the World and Me by Ta-Nehisi Coates; Go Set a Watchman by Harper Lee; Armada by Ernest Cline; Among the Wild Mulattos and Other Tales by Tom Williams; Confession of the Lioness by Mia Couto; The Watchmaker of Filigree Street by Natasha Pulley; Let Me Explain You by Annie Liontas; All This Life by Joshua Mohr; A Master Plan for Rescue by Janis Cooke Newman; Imperium by Christian Kracht; and The New World by Andrew Motion. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“It only took me 10 years to get the verb tenses right!” Our own Garth Risk Hallberg reflects on the process of updating his debut novella, A Field Guide to the North American Family, recently reissued in a new edition by Knopf. See also: our interview with him on the occasion of the release of his blockbuster City on Fire.
Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. “In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase,” Jordan Larson argues for The Atlantic.