“Werner isn’t surprised to pass the entrance exams easily. He’s more nonplused to find his head measured with calipers and his hair whiter than any of the 60-odd shades of blond on the examiners’ charts. It goes without saying that his eyes are also rated for their shade of blue.” Janet Maslin reviews Anthony Doerr’s new novel.
Two Strangers
The Myth of the “Knausgaard-free Day”
Did Karl Ove Knausgaard’s autobiography become so popular in Norway that the country had to institute “Knausfaard-free days?” Casey N. Cep investigates.
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The Transcriptionist’s Tale
“I usually let the thunderous conclusions of love scenes pass without comment, with the exception of one tussle so histrionic that to deny its participants a [JOINT CLIMAXES] seemed downright petty.” Our own Matt Seidel discusses his work as a freelancer for a captioning and transcription company at The Morning News.
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Lydia’s Advice
“Be patient – even with chaos.” Advice for the upcoming writer from Lydia Davis.
The Fiction of Borders
Molly Crabapple writes for VICE about translating Syrian poet Nizar Qabbani and the fiction of citizenship. As she explains it, “Words don’t need visas, but humans do. […] Citizenship is our most loaded form of fiction.”
Ways of Seeing
Overt at JSTOR Daily, Allana Mayer writes about visual literacy in the age of the Internet. As she explains it, “We have similar stories all throughout history: the moment when a perception—whether a literal way of seeing or a figurative mode of thinking—is assaulted and fundamentally shifts.” Pair with our own Bill Morris’s piece on the new Whitney Museum.
The Art of Fiction No. 207: Jonathan Franzen
“I’ve never felt less self-consciously preoccupied with language than I did when I was writing Freedom.” Lorin Stein introduces The Paris Review’s new Winter issue, and includes excerpts from the Art of Fiction interview with Jonathan Franzen.
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