New this week: All the Birds, Singing by Evie Wyld; In the Course of Human Events by Mike Harvkey; Casebook by Mona Simpson; The Other Story by Tatiana de Rosnay; Vernon Downs by Jaime Clarke; and Labor Day: True Birth Stories by Today’s Best Women Writers, edited by Eleanor Henderson and Anna Solomon. For more on these titles and other new releases, check out our Great 2014 Book Preview.
Tuesday New Release Day: Wyld; Harvkey; Simpson; de Rosnay; Henderson; Solomon
The Contrived
It’s a common saying among actors that the script does most of the work. Which raises an interesting question: is it possible for a great writer to make art out of a bad story? At The Kenyon Review’s blog, Amit Majmudar says it is, using Shakespeare as proof. Related: five experts on the Bard’s greatest plays.
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Slouching Towards Summer
From "A Prayer For Maintaining At Least A Tenuous Hold On My Sanity" to "A Prayer for My Wrecked Bladder," here are five prayers whispered by a first-year teacher as the school year slouches to a finish.
With Very Small Font, Of Course
Ireland debuted a new stamp featuring a 224-word short story written by Dublin teenager Eoin Moore.
The Common’s first year in print!
The Common will be celebrating its first year of publication later this month at NYU's Carter Journalism institute. The celebrations will include a reading from Stephen O’Connor and a performance by the Dog House Band, aka that literary rock group consisting of Sven Birkerts, James Wood, and other writerly musicians.
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Slanting Light and Seedy Motels
"In noir, the problem is not an individual: the problem is the world." Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here's a piece from The Millions's Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
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Nice Nonfiction
We've already decided that it's okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. "I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked," Cheryl Strayed said.