Francine Prose has a new novel out this week, while Elizabeth McCracken has a new story collection on shelves. Also out: Chestnut Street by the late Maeve Binchy; In the Light of What We Know by Zia Haider Rahman; Terms and Conditions by Robert Glancy; The Selected Letters of Elia Kazan; and new paperback editions of The Color Master by Aimee Bender and The Infatuations by Javier Marias.
Have some free time today? Might I suggest reading Michael Idov's GQ article "The Movie That Ate Itself." Not convinced? I'll let the story's description speak for itself: "Five years ago, a relatively unknown (and unhinged) director began one of the wildest experiments in film history. Armed with total creative control, he invaded a Ukrainian city, marshaled a cast of thousands and thousands, and constructed a totalitarian society in which the cameras are always rolling and the actors never go home."
Out this week: Sweetland by Michael Crummey; Glow by Ned Beauman; Frog by the Nobel laureate Mo Yan; Watch Me Go by Mark Wisniewski; A Bad Character by Deepti Kapoor; Blood-Drenched Beard by Daniel Galera; Black River by S.M. Hulse; Etta and Otto and Russell and James by Emma Hooper; My Father’s Wives by the ESPN host Mike Greenberg; and Mobile Library by David Whitehouse. For more on these and other new titles, go read our Great 2015 Book Preview.
Our own Nick Ripatrazone has been on a roll lately. Apart from the many articles he’s written for The Millions, he’s got a forthcoming collection of short fiction that includes works he published in Esquire and The Kenyon Review. He also published a new poem, “South Africa, 1988,” at The Nervous Breakdown, which you can read in conjunction with his self-interview.