Francine Prose has a new novel out this week, while Elizabeth McCracken has a new story collection on shelves. Also out: Chestnut Street by the late Maeve Binchy; In the Light of What We Know by Zia Haider Rahman; Terms and Conditions by Robert Glancy; The Selected Letters of Elia Kazan; and new paperback editions of The Color Master by Aimee Bender and The Infatuations by Javier Marias.
The Rumpus points out that both it and HTML Giant are experimenting with ads. I was also noticing recently that several enterprising literary magazines – including The Paris Review and Canteen have been advertising on Google. (You can buy ads on The Millions too.)
Last week, I pointed readers to a Page-Turner essay by Amy Bloom, whose new novel, Lucky Us, came out on Tuesday. Now, as part of the By the Book series in the Times, she talks about her summertime reads, her first picture book and who she’d invite to a literary dinner party. (FYI, we’ve written about the series before.)
Congratulations to our very own Emily St. John Mandel, whose second novel, The Singer’s Gun, is included, along with 19 other books, in the 2010 Indie Next List Highlights. Jason Hafer of Wolfgang Books says: “The Singer’s Gun is a taut, restrained book with a quick hook and a long pull. It is a moving and mysterious work, wholly authentic.”
Portland-based Literary Arts is offering a total of $59,000 in Fellowships and Book Awards this year for Oregon-based writers and their published works. Past prize recipients have included Wild author Cheryl Strayed, as well as Patrick deWitt for his novel, The Sisters Brothers (which our own Mark O’Connell raved about).
The New York Times recommends eight new books it thinks you’ll like, including Alan Moore‘s Jerusalem, which we reviewed last month, and two novels – Jonathan Lethem‘s A Gambler’s Anatomy, and Jade Chang‘s The Wangs vs. the World – that were on our own most-anticipated October list.
Why do we strain ourselves to apply scientific methods to the humanities, when the results of such studies always miss the point, asks Maria Konnikova. For those looking to do some field research on the fruits of the growing digital humanities movement before condemning them, the latest issue of the Journal of Digital Humanities is packed with interesting (and chart-filled) reads.