Francine Prose has a new novel out this week, while Elizabeth McCracken has a new story collection on shelves. Also out: Chestnut Street by the late Maeve Binchy; In the Light of What We Know by Zia Haider Rahman; Terms and Conditions by Robert Glancy; The Selected Letters of Elia Kazan; and new paperback editions of The Color Master by Aimee Bender and The Infatuations by Javier Marias.
Recommended reading: This great flash fiction piece by Ben Miller over at the Tin House Open Bar. If we’re talking “flash fiction,” then we’d better mention this piece from The Millions on Lydia Davis and everyone’s favorite 140-character medium, Twitter.
Members of the Word Reference forum contemplate the etymology and meaning of the “A” in the expression, “Fuckin’ A.” Elsewhere Geoffrey Nunberg, linguist and author of Assholism: The First Sixty Years, shares his take on the ubiquitous “a-word,” which he believes originated during World War II.
The reach of literary Brooklyn grows ever larger, as local hub BookCourt mounts a $300,000 campaign to convert the “Bibliobarn,” 160 miles north in the Catskills, into a “bookshop, event space, and writers’ retreat.” Upstaters, lock up your house-cured salume and artisinally sharpened pencils!
Conversational Reading has put together its own “most anticipated” books list that has some overlap with our own. It’s also worth noting that the trend of posthumous publication noted in our Most Anticipated introduction, was plumbed with considerably more depth at The Quarterly Conversation last year.