Out this week: Can’t and Won’t by Lydia Davis; What Would Lynne Tillman Do by Lynne Tillman; In Paradise by the late Peter Matthiessen; Family Life by Akhil Sharma; Talking to Ourselves by Andrés Neuman; I Pity the Poor Immigrant by Zachary Lazar; The Opposite of Loneliness by Marina Keegan; The Plover by Adam Doyle; The Word Exchange by Alena Graedon; and a new biography of John Updike by Adam Begley.
Writer Manjula Martin has been a stock girl, used bookseller, seamstress, waitress, retailer, Girl Friday- just to name a few of her day jobs. She questions the value of the artist’s day job in her VQR post. “Why are writers so eager to leave work behind?” she writes.
Looking for more thoughts on My Life in Middlemarch to supplement today's interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a "moving demonstration" of Middlemarch's power. (You could also read Adelle Waldman's Year in Reading piece about the novel.)
"Given his devotion to empirical fact, it seems odd to think that Galileo’s most important ideas might have their roots not in the real world, but in a fictional one." Galileo’s crucial contributions to physics may have come from measuring the hell of Dante’s Inferno.
As Alden Jones puts it, a “sex-death-art trifecta” is the core of The Small Backs of Children, the new book by Lidia Yuknavitch. At The Rumpus, he talks with the author about the novel, which centers on a war photographer who takes an iconic photo in Eastern Europe. You could also read the author’s Millions essay from last week.
"It may be vanity on my part ... but I have a fairly high opinion of the two pieces that I sent in." A 68-year-old aspiring writer has accused the Iowa Writers' Workshop of age discrimination, reports The Los Angeles Times. In his complaint, Dan Thomson cites "statistics from the program that reveal that, in the last five years, just over 100 would-be graduate students over the age of 50 applied to the program, but none made the cut." Doesn't he know you don't need an MFA, anyway?