New this week: The Brunist Day of Wrath by Robert Coover; Frog Music by Emma Donoghue; Off Course by Michelle Huneven; And the Dark Sacred Night by Julia Glass; Worst. Person. Ever. by Douglas Coupland; The Ballad of a Small Player by Lawrence Osborne; Love & Treasure by Ayelet Waldman; and The Empathy Exams by Leslie Jamison. For more on these and other new titles, go read our Great 2014 Book Preview.
“Reading fiction is one of my true loves, but essays help me to understand things about the world, the writer, and if they’re really great, myself.” Electric Literature‘s Jason Diamond argues 2014 was “The Year of the Essay,” and when we think over the collections published this year – The Empathy Exams, The Unspeakable and Loitering, among others – it’s hard to disagree.
Jenn Shapland had the pleasure of cataloguing the archives of Carson McCullers, Gertrude Stein, and Sir Arthur Conan Doyle. Their possessions left her with a few lingering questions. Pair with Shapland’s piece on cataloguing David Foster Wallace’s The Pale King.
“The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA.” Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel‘s look at “Working the Double Shift.”