In the new Granta, Adam Johnson writes about the mind-bending experience of traveling to North Korea, an experience which informed his Pulitzer-winning novel The Orphan Master’s Son. Perhaps the saddest anecdote — and there are a lot of sad anecdotes — is the one about the North Korean tour guide who couldn’t believe the author didn’t want to buy knockoff goods.
“Most of all, they don’t tell you that fear, to reverse a phrase from C. S. Lewis, will feel so like grief, and so you begin to mourn what you have not yet lost, because mourning prematurely is the only way to protect yourself from hope.” For Catapult, Laura Turner writes about her trio of miscarriages and the hope she lost (and found) along the way. (Turner is a 2017 Year in Reading alum).
Are these two statistics linked? According to a Pew Internet Libraries study, 30% of those “who read e-content say they now spend more time reading,” and according to studies cited on CreativePro, people can read printed text read “25% faster than on-screen text.”
“There are dangers for an artist in any academic environment,” says former Poetry editor Christian Wiman, who now teaches at the Yale Institute of Sacred Music. “Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.”