“‘It’s important to realize how the funniness in these videos [such as those featuring Kai the axe-wielding hitchhiker and Uncle Ruslan] is really close to something that’s desperately unfunny,’ says Mark O’Connell, who wrote Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever.”
“I am uncomfortable in my role as witness.” Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what “Black thanatosensitive” user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
Considering an anthology about writers leaving New York came out last year (with a contribution by our own Emily St. John Mandel), it makes sense that we should now look back on the career of E.B. White, who gave up his Manhattan apartment for a farm in rural Maine.
If you live in London, and you like the idea of a play in which “two women [try] to put on a one-woman play about Frida Kahlo in whom neither of them is really interested,” you should stop by the Bridge House Theatre, which is playing Chris Larner’s The Frida Kahlo of Penge West until November 23rd. At the LRB blog, Rosemary Hill provides a brief review.