Recommended Viewing: Artist Todd Spence has drawn True Detective as a series of Hardy Boys novels. Pair with: Our essay on what female detective novels to read after True Detective.
The Yellow King’s Clue
Go on, judge these books by their covers
Book Cover Roundup, Item #1: Each year The Millions publishes a high stakes face-off between the UK and US covers of books featured in The Morning News’ Tournament of Books (2014, 2013, 2012). Now, for Sarah Hemfrey’s research on book covers in the publishing industry, it’s your turn to be the judge. Item #2: if Harry Potter is more your style, that whole series is getting new cover designs, too.
Kevin Nguyen at It Again
“[P]ublishing is a behemoth that is trudging along slowly in the direction of progress. But it still has a long way to go.” GQ editor and Year-in-Reading alum Kevin Nguyen gets the interview treatment from Poets & Writers (and gives a few shout-outs to us while he’s at it!). Among the books he’s read in the last year that stood out: “White Tears by Hari Kunzru by a mile.”
Seeing Van Gogh
“‘What pleases the PUBLIC is always what’s most banal,’ he wrote to his brother in 1883. But nowadays Van Gogh pleases the public enormously. So has he become banal?” Julian Barnes reflects on Van Gogh’s life and work and how our perception of him has changed over time in a London Review of Books podcast. Interested in contemporary art? Check out our own Bill Morris’s piece on the Whitney Museum.
A Wasted Life
“I have wasted my life.” Over at the Paris Review, Dan Piepenbring takes a look at James Wright‘s “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota” and the many interpretations readers have brought to its famous last line. Among those readers is David Mitchell, who wrote about the same poem in an essay for The Atlantic‘s By Heart series earlier this year.
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Gothic 101
Does your story have a ghost or monster? Does your heroine faint frequently? Then you might be in a Gothic novel. The Guardian has infographics on how tell if you’re in a Gothic novel.
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