Just in time for the new season of Mad Men, The Paris Review unlocked their interview with Matthew Weiner from the new issue. The showrunner talks, among other things, about his father’s love of Swann’s Way and his own adolescent love of Winesburg, Ohio. You could also take a look at our own Hannah Gersen’s list of books to read when the season winds down.
Talking with Matthew Weiner
The State of Book Reviews
At Poets & Writers, National Book Critics Circle board member Jane Ciabattari offers a 4,000-word look at where the dust has settled as newspaper book reviews have shrunk and online book sites have proliferated.
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Up South
“Young black fiction writers in the U.S. often face a strange obstacle as they try to figure out who they are — it’s called American literature. A high number of pre-civil-rights-era novels by white American writers are likely to include tossed-off racial slurs and/or stock black characters, some of which make racially conscious readers want to hurl the book across the room, even if the wooly-headed pickaninnies are only peeking around a doorjamb on one page out of 400. There are exceptions, but shockingly few. You always have to brace yourself — always.” James Hannaham writes about growing up in Yonkers but finding himself in Southern literature.
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“Her prints certainly have muscle, and a lot of it.”
Flannery O’Connor: The Cartoons, a collection of one-panel comic prints made by Flannery O’Connor during her time in college, is due out later this week. Meanwhile, Barry Moser exhibits a few of the highlights.
Have Fun and the Money Will Come
Richard Branson has built a global business empire (Virgin Group) around the philosophy “have fun and the money will come.” Branson’s new book, Screw Business as Usual, says there’s a way to make money and also do good. And speaking of having fun, watch Branson and Steven Colbert get into a fire extinguisher/water fight.
Lolita, Cover Girl
Lolita has been, for decades, a great inspiration to cover designers, and all those great covers inspired architect John Bertram to hold his own cover design contest to see who could best re-imagine Nabokov’s classic. The resulting competition has now inspired a book, coming in August, with a cover by designers Sulki & Min that references a letter Nabokov sent to his American publisher, Walter J. Minton of Putnam, in April 1959 about the cover design for Lolita. “I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. If we cannot find that kind of artistic and virile painting, let us settle for an immaculate white jacket (rough texture paper instead of the usual glossy kind), with LOLITA in bold black lettering.” More: An interview with Bertram.
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Hardcover, Paperback and The Economist
The Economist gives a succinct explanation of “why books come out in hardback before paperback,” but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist‘s article with Nichole Bernier‘s Millions piece on “The Point of the Paperback.”
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Dudley’s World
I’ve always wanted to read Dudley’s World. And by “always” I obviously mean ever since I first saw The Royal Tenenbaums. Criterion’s got a slideshow of all of the film’s fictional titles.
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