What drives the Year in Reading alum and Boy, Snow, Bird author Helen Oyeyemi? If we can believe her interview with The Globe and Mail, it isn’t just the enjoyment she derives from writing fiction. When asked why she wrote her new book, she said: “A few reasons, but mainly to see if I could…at this point, it’s perversity that keeps me writing.”
Sick
Still Here
For a man who’s retired, Philip Roth is still oddly present in the literary world. Ever since he announced his intention to quit writing, he’s made a stream of public appearances, including an awards ceremony at Yaddo one week after claiming he’d never appear on stage again. So what gives? In The Baffler, J.C. Hallman explains why writers can never really quit, in a piece that nicely complements our own take on literary retirement. FYI, Hallman has written for us.
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Light Fare
Sometimes, it’s easier to read or watch something that’s light and airy, as opposed to seeking out art that challenges your perspective. Millions contributor Fiona Maazel generally thinks of herself as a person who instinctively chose nuance over breeziness. But lately, she’s had to ask herself a tough question — is she actually more attracted to the anodyne?
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“Var inte ond”
The most striking thing about Google’s effort to block Sweden from coining a word for “ungoogleable” (“ogooglebar”) is that the proposed Swedish word somehow sounds more English than its actual translation.
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Erotic Eight
The second round of the Tournament of Literary Sex Writing, the aptly-named Erotic Eight, has kicked off over at The Literary Hub. This round is home to some downright ridiculous pairings (I’m looking at you, “Bram Stoker vs. James Baldwin as judged by Roxane Gay“) and the judges are as careful and attentive as ever.