Year in Reading alum Elizabeth McCracken has a new story collection out this week, and to mark the occasion, she spoke with Kelly Luce over at Salon about her writing, her Twitter obsession and — strangely enough — cannibalism (at least in the context of fairy tales). She also talks about the importance of humor, lamenting that “some young writers mistake humorlessness for seriousness.” (Related: Tanya Paperny wrote a eulogy for the translator Michael Henry Heim.)
Scaachi Koul’s childhood friend introduced her to Lemony Snicket’s Series of Unfortunate Events books candidly: “You’d probably like them,” she said. “They’re really depressing.” Now, in a piece for Buzzfeed, Koul explains how the works have helped her into adulthood. (Bonus: Koul’s forthcoming essay collection, One Day We’ll All Be Dead and None of This Will Matter, made our Great 2017 Book Preview.)
“When the corrective to women’s exclusion from history is to find a few suitable individuals to pluck out of the messy rush of life and achievement, and hold up for admiration, we forget that many of women’s most important historical achievements…have been the product of collaboration, community, and collective action.” For Slate, Joanna Scutts writes about recent spate of historical books about rebellious, misbehaved women, and who is left out of those stories. From our archives: a list of vile women in fiction.
“The most unfortunate / Thing about history / Is not pornos. No, it is how Americans / (And we were talking about men but may I take this opportunity / To be more inclusive, because inclusivity is in!) were once better than they are at present.” In which an imagined David Brooks writes a sestina about misogyny. Here’s a Millions piece in which the real-life Brooks is thought of not as a pariah, but as a harbinger of hope.
Depending on your perspective, this is either the best or the worst pairing of speaker to content there is: Benedict Cumberbatch reading Kafka’s Metamorphosis for the BBC. As always with Cumberbatch, the reading is a nice complement to our own Elizabeth Minkel on Sherlock.
“Ms. Cline, who was 27 when the novel came out, was celebrated as a major new talent. But for the last two years, her success has been overshadowed, in private, by legal threats levied against her by a former boyfriend.” Emma Cline, bestselling author of The Girls, and her ex-boyfriend, Chaz Reetz-Laiolo, have filed public lawsuits against each other including allegations of plagiarism, physical abuse, and intimidation, according to the New York Times. From our archives: staff writer Michael Bourne‘s review of Cline’s debut novel.