Although we’ll never get the chance to read Walter White’s memoir, we’ll get the next best thing. Bryan Cranston is writing a memoir due out next year. “With this book, I want to tell the stories of my life and reveal the secrets and lies that I lived with for six years shooting Breaking Bad,” he said. While you wait, grab a book from our Breaking Bad reading list.
Heisenberg’s Memoirs
How to Win
“If you read through all the citations, you’ll start to detect certain patterns. Any aspirant Nobel Prize–winner should take note—these may hold the key to victory.” The Paris Review has read through all of the Nobel Prize-winner citations and came to a couple of conclusions, such as “you should be great… but it also helps if you’re epic. Oh, and fresh!” Pair their piece with our own overview of newest laureate Patrick Modiano’s work, and The New Yorker‘s look into the translation of Nobel Prize-winning authors.
Caballo Blanco Goes Missing
In Born to Run, author Christopher McDougall talks about the legendary accomplishments of ultrarunner Micah Tue, aka Caballo Blanco, or “the wandering White Horse of Mexico’s Copper Canyons.” Last month, Tue disappeared after embarking on a 12-mile run in Gila National Forest. Distraught, worried, and curious, McDougall set off on a hunt to track him down.
Perennial Errata
The New York Times issues a correction note for something they’ve been messing up for 25 years.
So wait, the really rich are getting richer and richer?
There was an interesting piece on the intangible economics of fine art in this weekend’s NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): “Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal.”
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Dubliners Day
In 2004, much of the literary world celebrated the hundredth anniversary of Bloomsday, aka the setting of James Joyce’s Ulysses. This year, we’re celebrating the hundredth anniversary of Dubliners, which our own Mark O’Connell once described as “a collection which writers of the short story form seem basically resigned to never surpassing.” At The Paris Review Daily, Skippy Dies author Paul Murray writes about his history with the book. You could also try to pass our eccentric James Joyce quiz.