Amy barely speaks in the trailer for Gone Girl, but she is present in almost every frame. The first look at David Fincher’s adaptation features a creepy cover of “She” and a harried Ben Affleck as he goes from bereaved husband to suspect. The film will be in theaters on October 3, but until then, read our conversation about Gillian Flynn.
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
Anna Kendrick (Into the Woods, Pitch Perfect) is releasing a collection of essays, Scrappy Little Nobody, this November. If it’s anything like her Twitter, I’m sure we’ll be laughing. For fans of Kendrick, check out our own Sonya Chung’s review of Up in the Air.
In part because I loved Sam Anderson’s riff on Barthes in this weekend’s NYT Magazine so much, I was thrilled to see Maud Newton tweet this link this 2010 article on Barthes’s handwriting, featuring a slideshow of note cards Barthes used to compose his Mourning Diary.
A writer in her own right, Sybille Lacan reflects on her experience as the daughter of famous psychoanalyst Jacques Lacan. She writes, “Father, for our birthdays, would give us superb gifts (I believe it took me far too long to understand it was not he who had picked them out).”
Charles Petersen traces the fascinating history of the New York Public Library to show the real cost of the planned renovations and the pitfalls of the inevitable digital libraries of the future. Mark Athitakis observes how archives flatten fictions with keywording.