“Well, continuing with my policy of baring my soul, Dwight Garner said something like, the book was like one of those satellite photos of North Korea when I talked about the second marriage. I obviously had very little access to Updike from ‘77 on, really. And I cheated a bit by using Ian McEwan as my spy in the Updike household. First of all, Updike definitely did pull up the drawbridge and retire into his castle and I thought, in a sense, that this should be respected. He had decided on his persona, at that point—the highly professional man of letters. And I thought, why not let him go out with that persona intact?” At The Awl, Elon Green talks with Adam Begley about his new biography of John Updike.
Disappearance Man
Greene Family Biography
Jeremy Lewis introduces his new biography of Graham Greene and his remarkable family, Shades of Greene, for the Telegraph.
“Thousand-watt sadness”
The most depressing favorable review of a TV show you’ll read this year, LA Review of Books shares why “Catfish: The TV Show” is so poignant and so very sad.
The Paper Trail
What writers are actually earning money? Over at Electric Literature, Lincoln Michel takes a look at the new Author Earnings report, which scours Amazon bestseller lists and extrapolates the data to make claims about the state of publishing and self-publishing. Here’s an older Millions piece by Edan Lepucki on self-publishing as supplemental and influential to the traditional route.
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Avatar in Russia
James Cameron just can’t win with the Reds. Not just the Chinese communists, but the Russians, as well, have taken issue with Avatar‘s politics.
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Ramsquaddled and Pixellated
Are you familiar with the term, “clatterdevengeance”? It’s the favorite word of Jonathon Green, purveyor of the internet’s newest dirty slang dictionary, which seeks to document some of the more hilarious (and uncouth) experiments in the English language.
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The Artist as Activist
“No one was more grimly adamant that the world was in mortal peril, or had more fun trying to save it from itself.” Over at The New Yorker‘s Page Turner blog, Alexandra Schwartz considers the life and work of Grace Paley, noting that Paley’s slim output “is a great shame, if not so surprising. Activism, like alcoholism, can distract a writer from the demands of her desk.” Also of note: this tribute to Paley that our own Garth Risk Hallberg wrote upon her death in 2007.