“Well, continuing with my policy of baring my soul, Dwight Garner said something like, the book was like one of those satellite photos of North Korea when I talked about the second marriage. I obviously had very little access to Updike from ‘77 on, really. And I cheated a bit by using Ian McEwan as my spy in the Updike household. First of all, Updike definitely did pull up the drawbridge and retire into his castle and I thought, in a sense, that this should be respected. He had decided on his persona, at that point—the highly professional man of letters. And I thought, why not let him go out with that persona intact?” At The Awl, Elon Green talks with Adam Begley about his new biography of John Updike.
“Poised to shake up the genre with its daring choice of protagonist, a groundbreaking young adult novel released this week by author Joan Berman reportedly makes the bold choice of following a moody, independently minded high school student who could be described as something of a loner.” The Onion pokes fun at YA fiction.
On July 8th 1618, Ben Jonson set out walking from London. Over the next few months, he traveled 400 miles on foot until he reached Edinburgh on September 5th. To commemorate the epic voyage, a team of researchers is re-enacting the walk online by updating a dedicated blog, Twitter page, and Facebook profile with a series of posts corresponding to dates, locations and occurrences Jonson experienced along the way. All this sounds grand enough, but I’ll be really impressed when somebody truly re-enacts Jonson’s mock-epic poem about paddling London’s disgusting Fleet Ditch: “On The Famous Voyage.”
“A good translation, Han’s subconscious seems to suggest, is a living, breathing thing, which must be understood on its own terms, discovered from beneath the great white sheet.” The New Yorker explores Han Kang‘s novels and the complex nature of translation. From our archives: The Millions review of Kang’s The Vegetarian and an essay on what gets lost (and transformed) in translation.
Boris is coming to the big screen. Nina Jacobson, the producer behind The Hunger Games, has acquired the rights to adapt Donna Tartt’s The Goldfinch. Whether it will be a film or TV miniseries is still up for question, but if the actors need any help getting into character, check out our essay on identifying with Theo and learn how to tweet like Boris.