When you think of Shakespeare’s plays, you probably think of the Globe Theatre. Yet for more than twenty years before the Globe was opened, the Curtain Theatre was the first home to such plays as Romeo and Juliet and Henry V. Unfortunately the place was closed and disassembled in the 17th century, and the location was presumed lost. Fast forward 400 years, however, and a team of East London excavators have finally uncovered a few of its sections.
Knopf publicity bigwig Paul Bogaards kindly plunked us onto his Hierarchy of Book Publishing: The Top 100. We’d note that we’re run out of basements throughout the NY-metro area (and not just NJ), but we’re too busy telling the Stieg Larsson estate to eat our dust.
Paris Review editor Lorin Stein sat down alongside James Salter, Mona Simpson, and John Jeremiah Sullivan to discuss the magazine’s sixtieth anniversary with Charlie Rose. At one point Stein admits that, “If you wrote about sex the way Jim [Salter] writes about sex … in nonfiction, you would be a sociopath.” (Bonus: Stein writes about John O’Hara for The New Yorker.)
The Paris Review and the 92nd Street Y have long collaborated on a series of onstage conversations with prominent authors. Now, these talks are going to be made available online as part of 92Y’s Poetry Center Online, and also on the Review’s website. Kicking off the first round of videos are talks with Garrison Keillor, Iris Murdoch, and William Styron. Look out in the coming months for more audio with the likes of Maya Angelou, Jamaica Kincaid, and Allen Ginsberg. (Bonus: 92Y has been adding heaps of content to its digital archive all month.)
“Palestinian literature is a literature of exile, a quest for identity in a hostile world, a writing of fractured lives and displaced hopes, a record of a human tragedy.” In the most recent issue of Asymptote Journal, Fakhri Saleh looks at Palestinian writing since 1948. Pair with Words Without Borders’s special Palestine issue, selected and introduced by Nathalie Handal.