80 years ago Samuel Beckett’s publisher rejected his short story “Echo’s Bones” because it gave him the “jim-jams.” The 13,500-word piece on the afterlife was intended for More Pricks Than Kicks until his editor Charles Prentice claimed, “People will shudder and be puzzled and confused; and they won’t be keen on analysing the shudder.” Fortunately, it will finally be published by Faber and Faber on April 17.
As if you weren’t in love with Augustus Waters already, the first official trailer from The Fault in Our Stars film is out, and Ansel Elgort is quite the charmer. The film releases on June 6th, but if you still haven’t read the book, here’s our own Janet Potter’s review.
Always pushing the envelope in terms of how we think about books, Reif Larsen has just announced an iPad app for his novel The Selected Works of T. S. Spivet. As the demo video suggests, this something with much more depth and interaction than just a simple port from print to digital.
By the age of twenty-one, Eugene O’Neill had dropped out of Princeton, fathered a child and caught syphilis on a trip through South America. He was, in his own words, “the Irish luck kid,” blessed in a strange way with misfortune. Yet he went on to win a Pulitzer eleven years later. How did he do it? In the LRB, John Lahr reads a new biography of the playwright.
Umberto Eco, Italian semiotician and author of works such as Theory of Semiotics and The Name of the Rose, has died at 84. His most famous work, The Name of the Rose, was adapted in a film starring Sean Connery and Christian Slater. Reflect on his life by revisiting Hillary Kelly’s review of Confessions of a Young Novelist.
Last week, I pointed readers to an article about Michael Faber’s latest book and his decision to quit writing fiction. Now, in the Times Book Review, Marcel Theroux sizes up the novel, writing that “the reader is drawn through the book effortlessly, by the combination of incidental strangeness and the suspenseful handling of plot.”