Out this week: The Blazing World by Siri Hustvedt; The Heaven of Animals by David James Poissant; Cementville by Paulette Livers; Damage Control by Amber Dermont; Blood Will Out by Up in the Air author Walter Kirn; Shotgun Lovesongs by Nickolas Butler; and The Haunted Life, a new collection of early writing by Jack Kerouac.
Tuesday New Release Day: Hustvedt; Poissant; Livers; Dermont; Kirn; Butler; Kerouac
Matthew Stadler’s NAFTA tour
Matthew Stadler of Publication Studio hits NYC on his NAFTA tour just in time for the 4th of July weekend. The Saturday evening begins with a ghost tour of sorts, of the city’s “disappeared bookstores,” and a lavish Mexican dinner will follow. If the feasts in Stadler’s latest novel, Chloe Jarren’s La Cucaracha, are any indication, expect copious cocktails and intriguing conversations. More details here.
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This Is Not Confessional Poetry
Over at the Bennington Review, Michael Dumanis interviews Year in Reading alumna Dorothea Lasky about persona poetry, the first-person “I,” and creativity. Pair with Gila Lyons’s Millions essay on creativity and madness.
Becoming No One
“It helps to be nobody if you want to be somebody.” Over at The Daily Beast, Ted Gioia takes a look at what he calls the new cult of the anonymous artist. From the famously infamous graffiti artist Banksy to the enigmatic Italian novelist Elena Ferrante, there is certainly no denying that, whatever the reason, anonymity is “in.” Here’s an older Millions essay that takes a look at Banksy, obsession, and the sea.
Telegram for You, Sir
Daniel Woodrell was so busy dodging bill collectors that he almost missed a telegram from an agent interested in his first novel, Under the Bright Lights. He discusses his writing career, the film adaptation of Winter’s Bone, and how he’s used the same coffee mug since 1974 for The Daily Beast’s “How I Write” series.
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Congratulations friends!
Our friends over at the LARB have received two nods for the Pushcart Prize! Congratulate them by reading through the nominated essays: David Sheilds’s “Life is Short; Art is shorter” and Antoine Wilson’s “Notes on Hack.“
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Predictions from the 1930s
In 1936, The Colophon, a now-defunct quarterly for book collectors, asked its readers to list ten authors “whose works would be considered classics in the year 2000.” Their first six answers hold up. The next four? Not so much.
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Sloane Crosley’s Travel Advice
Sloane Crosley, this year’s editor of The Best American Travel Writing, out today, wrote some key travel tips for those who are vain, budget-conscious, and notoriously lazy.