If you thought True Detective needed more women on it, check out our list of recommended female detective books, or read Helen McClory’s flash fiction piece from the perspective of the dead girl, “Pretty Dead Girl Takes a Break.”
True Women
Watkins’s Romantic Sublime
“Too vast for human comprehension, yet at the same time a tabula rasa for each fragile individual’s desires, it’s a classic example of the Romantic sublime, as mesmerising as it is deadly.” The Guardian reviews Year in Reading Alumnus Claire Vaye Watkins’s Gold Fame Citrus. Compare and contrast with our review of the novel.
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The Novel vs. The Net
Sven Birkerts, still working through arguments begun in The Gutenberg Elegies, suggests in The American Scholar that "the novel and the Internet are opposites." (via)
French Fiction
Recommended recommendations: Nancy Kline surveys recently translated French novels for the New York Times Book Review. Pair with our own Bill Morris's piece in the Daily Beast on the 2014 Nobel Prize Winner Patrick Modiano and "Why American's Don't Read Foreign Fiction."
Woe Betide Thine Enemies
Do you long to go on an adventure, but only so long as the adventure is not in any way uncomfortable or inconvenient? Has a wizard roped you into a quest because one of your ancestors invented golf? If you answer yes to either of these questions, you might be living inside of a J.R.R. Tolkien book.
No More Nice Girls
n+1's Research Collective has posted the introduction to Ellen Willis's No More Nice Girls: Countercultural Essays (1992), and plans to post a series of essays by the seamless activist and writer-- "Her refusal to subsume her personality to a movement, or to ignore the things that were important to her, remains an inspiration."
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This Post Reads Like Mad Libs.
Roz Chast, whose cartoons have been mainstays in the New Yorker for quite some time, has teamed up with Stephin Merritt of The Magnetic Fields to write a book about the 101 two-letter words allowed in Scrabble.
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The Readability Myth
Is readability a myth? In an article for The Atlantic Noah Berlatsky argues that there are no "easy" or "difficult" books, or rather that these are relative terms - a book that gives one person fits may be light reading for someone else. His argument pairs interestingly with our own Emily Colette Wilkinson's "Difficult Books" series.