If you thought True Detective needed more women on it, check out our list of recommended female detective books, or read Helen McClory’s flash fiction piece from the perspective of the dead girl, “Pretty Dead Girl Takes a Break.”
True Women
Murakami’s Advice
Have a question? A problem? A query about cats? Haruki Murakami has answers and advice.
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NYRB Fall Preview
Poetry’s Lost Amateur Hour
Though no big name today, early 20th-century poet Florence Ripley Mastin published prolifically in her lifetime – a dozen times in Poetry, more than 90 in the New York Times. Poetry’s Ruth Graham argues that the successes of Mastin, an untrained amateur, say more about her times than her talent. These days, amateur poets today benefit from refrigerator poetry sets, numerous poetry apps and sites, and the infinite community of the internet, but the Times has long excised poetry from its pages. In the archives, Patrick Wensink meets and analyzes those who doggedly pursue poetry these faded days.
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Pimpin’ with Remnick
Correction of the day, courtesy of The New York Times: "He did not say that it would not be a 'pimped out' version of the article."
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Stevenson as Kurtz
"Since the middle of the 20th century, the academy has conditioned us to stay grounded within texts and steer clear of writers’ biographies for insights while biographers are often timid about the kind of playful speculation that we can undertake here in Slate. Readers, myself included, tend to wonder about the sources for characters the likes of Kurtz, Sherlock Holmes, and Jay Gatsby—larger-than-life, mysterious, existing on a kind of separate plane—and in doing so we are continuing the quests of the narrators who tried first (Marlow, Watson, and Carraway)." Matthew Pearl asks: was Robert Louis Stevenson the blueprint for Conrad's Kurtz?
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