From Hunger Games‘s Katniss to Divergent‘s Tris, today’s YA heroines are confident, intelligent, powerful, and always skinny. At The Atlantic, Julianne Ross argues that this scrawny stereotype ends up belittling the heroines’ independence and strength. “Just as women are expected to be sexual but not slutty, pure but not prudish, heroines should be strong but not buff.”
Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
James Hynes discusses the books he read when writing his latest novel, Next: “I wanted to see if I could write a day-in-the-life novel, a narrative that would be set in a single day, or part of one, and by working backwards and forwards through flashbacks, encompass the entire life of a single character.”
Cairo bookstore Bab Aldonia has installed a soundproof room for its customers in which, MobyLives reports, “anyone can go and scream in privacy for ten minutes at a time.” An unsigned piece on the online magazine Cairoscene notes that working out one’s frustrations within the safety of its walls “may prove just as effective as regime change.” The stakes are considerably lower, but if you’re a fan of indie booksellers, you’ll also enjoy our piece about bookstores we have known, loved, and worked for.
Good versus evil, a hero coming of age, wars, and sibling love — Star Wars is the play William Shakespeare never wrote. Fortunately, Ian Doescher rewrote the tale of the Jedi in iambic pentameter in William Shakespeare’s Star Wars. The best part is the book trailer, which features Shakespearean actors wielding lightsabers.
Joe Fassler interviews recent MacArthur Genius and Year-in-Reading alum Viet Thanh Nguyen on the myth of overnight success, balancing an academic career while still finding time to write novels and the sacrifices all writers must make. Over at Electric Literature.