“Someone asked me what I was doing in my 10‑year break,” says Kazuo Ishiguro with a boyish chuckle. “And I thought: yes, there has been a 10-year break since my last novel, but I personally haven’t been taking a 10‑year break!” The Telegraph talks with Ishiguro about his new novel and the first he’s published since Never Let Me Go, The Buried Giant.
There was an interesting piece on the intangible economics of fine art in this weekend’s NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): “Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal.”
This week saw the release of The Jaguar’s Children, a novel set on the Mexican border that draws on author John Vaillant’s experience in his wife’s home state of Arizona. At The Walrus, Sasha Chapman provides more background on Vaillant in her review of the book, which notes the importance of jaguars in Mexican symbology.
Apropos of Mark O’Connell‘s contemplation of the Kindle is this piece by The Guardian‘s Sam Leith on what to expect if the Kindle truly does supplant the printed book.
Superagent Andrew (“The Jackal”) Wylie disses the e-book and modern publishing’s “wild weekend in Las Vegas approach” to book acquisition in the Wall Street Journal Magazine. But the best part is an online slide show depicting Wylie’s journey from a wild-eyed hippie cabbie in 1971 to the uberwasp wheeler-dealer that he is today.