At the LARB, Millions contributor Nathan Deuel reviews Silence Once Begun by Jesse Ball, which we covered as part of our Great 2014 Book Preview. Nathan calls the novel “daring and odd” and notes that, as the plot advances, “even we readers become slightly shaky witnesses.” You can learn more about Jesse Ball’s work in our own Janet Potter’s review of his novel The Curfew.
Testimonies
Six Plots
We are all by now familiar with J.K. Rowling‘s elaborate, hand-drawn outlines for the Harry Potter series, but what if all plots could be simplified further? Down to, let’s say, graphs? And not even an infinite number of graphs, but just six? The Paris Review considers the work of Matthew Jockers, a literature professor who studies “the relationship between sentiment and plot shape in fiction.”
●
●
Literary Arts Literally
Why read a book when you can carve it? Taiwanese artist Long-Bin Chen made a sculpture garden entirely out of carved books for The College of Charleston. Also have a look at Guy Laramee’s slightly smaller but equally amazing book sculptures.
●
●
Lerner on Berger
Recommended Listening: Ben Lerner stops by The New Yorker’s fiction podcast to discuss “Woven, Sir,” a story by John Berger.
●
●
A Disturbance in the Force of the Joyce Estate
Our own Mark O’Connell likens James Joyce’s grandson to a “highbrow Darth Vader.”
●
●
In/Out
“This question of presence seems crucial to Tillman’s project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others’ work.” On Lynne Tillman’s new story collection.
Everyone’s a Critic
“A continuation of a book that has proved very popular seldom is successful, and we cannot say that we think Alice’s adventures by any means equal to her previous ones.” The Guardian digs up its original review of Lewis Carroll‘s Through the Looking Glass.
“Vista as vortex”
Mike McCormack delves into the view from his house in Galway.
●
●