Boris is coming to the big screen. Nina Jacobson, the producer behind The Hunger Games, has acquired the rights to adapt Donna Tartt’s The Goldfinch. Whether it will be a film or TV miniseries is still up for question, but if the actors need any help getting into character, check out our essay on identifying with Theo and learn how to tweet like Boris.
Earlier this month, Jack Daniel's wrote Patrick Wensink a cease-and-desist order because the cover of Wensink's latest novel, Broken Piano For President, bears a striking resemblance to the whisky's logo. Surprisingly, instead of some whisky-soaked tirade, the letter is really, really nice.
A pair of debuts are making waves this week. Amy Waldman's The Submission ponders an alternate present in which a Muslim man is the anonymous winner of the search for a design to build the 9/11 memorial at Ground Zero. Ernest Kline's Player One is a "genre-busting," pop culture-infused take on the virtual reality future that awaits us.
Recommended Reading: Paula Marantz Cohen on Norman Mailer's most infamous book review.
At the Paris Review Daily, Nick Antosca reminisces on reading Lolita at 12: “Who among my seventh-grade classmates, I wondered with a frisson, was such a creature? What girl had that ‘soul-shattering, insidious charm’ that, while invisible to me, made the antennae of certain adult males tremble?”
With the erosion of the 175-year-old Times-Picayune, New Orleans will soon be one of the largest metro areas without its own major newspaper publishing every day. Over at The Atlantic, Emily Badger explains the sad saga of its demise as well as the complexities and uncertainties yet to come.
This week, the upstanding men and women of Football Book Club are reading Louisa Hall's novel Speak -- and posting about (a) having their minds blown by Maggie Nelson's The Argonauts and (b) having their metaphoric hearts metaphorically stomped on by the NFL.