When restauranteur Elaine Kaufman was alive, she gave writers a refuge at her favorite spot, Table 4. Even though the restaurant and Kaufman are long gone, her memory and devotion to writers live on with the Table 4 Writers Foundation. The foundation gives out $2,500 grants to writers at a gala at the New York Athletic Club on March 27. The 2013 winners include, “Bound” by Karen Yin, “Gotham Mexico” by Danny Thiemann, “Kim of Noho” by Kurt Pitzer, “Parkside” by Jennie Yabroff, and “Rent Control” by Matthew Perron. Additionally, several of Elaine’s regulars will be honored, including Mary Higgins Clark, Carol Higgins Clark, Stuart Woods, Chazz Palminteri, and Richard Dreyfuss.
Legally sampling songs on a hit record is astoundingly expensive. As Kembrew McLeod and Peter DiCola note in Creative License: The Law and Culture of Digital Licensing, the Beastie Boys would have lost $19.8 million dollars because of Paul's Boutique. (via BoingBoing)
“Over the past thirty-five years alone, language from Frost’s poem has appeared in nearly two thousand news stories worldwide, which yields a rate of more than once a week. In addition, ‘The Road Not Taken’ appears as a title, subtitle, or chapter heading in more than four hundred books by authors other than Robert Frost, on subjects ranging from political theory to the impending zombie apocalypse.” David Orr writes for The Paris Review about Robert Frost’s “The Road Not Taken,” one of the most misread poems of the English language.
Did you think the title of the most recent book you read could've been improved if it had been a bit more straightforward? Then Better Book Titles is for you. Among their more inspired retitlings: The Amazing Adventures of Kavalier and Clay (Gay Jewish Magicians Kill Nazis), Blink (Everyone is Racist), and The Girl with the Dragon Tattoo (The First Book I've Read in Six Years).
It’s not hard to find studies of the connection between creativity and alcohol. It’s a connection which great minds have remarked upon for centuries. But what’s less remarked upon is a more everyday relationship -- the connection between great writing and food. In The New York Review of Books, Patricia Storace reads Sandra M. Gilbert's The Culinary Imagination. (Related: Stephanie Bernhard tries out Hemingway’s recipes.)
Dwight Garner, writing in the current issue of The New York Times Magazine, laments that so many high-end American novelists seem to be working on "the nine-year plan," delivering a new novel roughly once a decade. He cites Jeffrey Eugenides, who will be out soon with The Marriage Plot, his third novel in 18 years, along with such slow cookers as Jonathan Franzen, Donna Tartt and Michael Chabon. One name Garner neglected to mention is the Pulitzer Prize-winner William Kennedy, who will be out next month with Chango's Beads and Two-Tone Shoes, the eighth installment in his Albany cycle and his first novel since Roscoe appeared nine years and nine months ago. Look for our review of it here next month.