The Fault in Our Stars isn’t even out yet, but John Green already has another adaptation on the way. Fox 2000 will bring Paper Towns to screen next with the same screenwriters and producers as The Fault in Our Stars. Green will also be producing. “If you don’t like something, you can blame me,” he tweeted. Fault supporting actor Nat Wolff will star as the sleuthing Quentin. We just want to know who will play the enigmatic Margo Roth Spiegelman.
F. Scott Fitzgerald was too provocative even for the 1920s. His short story collection Taps at Reveille was never published the way he wanted it to be. When the stories came out in The Sunday Evening Post in the 1920s and ’30s, all slang, slurs, and sexual innuendo were edited out. Now, almost a century later, we can read Fitzgerald’s original work in a new Cambridge edition.
“The physical purpose of reproduction is, obviously, the continuation and renewal of genetic continuity, human survival. Its psychological purpose seems to me to be a particularly poignant kind of mutual learning and, matters being equal, ineffable comfort.” What is the relationship between being an artist and being a parent? Maria Popova at Brain Pickings takes a look at sculptor Anne Truitt’s collected journals, Daybook, to try and suss out an answer.
“I can tell you that, as of today, I don’t feel any different about Mr Whitehead, or his review, or my response.” Richard Ford doubles down on his reaction to a negative 2001 review by fellow novelist Colson Whitehead. (Said response, in case you missed it, was to tell Whitehead ‘you’re a kid, you should grow up,’ and spit in his face.) We hope Whitehead is laughing at home with his Pulitzer Prize, recently awarded for last year’s literary juggernaut The Underground Railroad. And as our own Emily St. John Mandel reminds us, there are far more gracious ways to respond to criticism.