When Maeve Binchy passed away two years ago, she left behind a novel, A Week in Winter, that appeared to cap off an accomplished 40-year career. It turns out her fans have more posthumous work to look forward to: a new 400-page story collection, Chestnut Street, that comes out on April 24th.
“I was dropping out of college and had begun a novel and returned to New York. A bookstore in Manhattan announced a rare reading and signing by Anthony Burgess, a primary hero of mine at the time, for his autodidact’s erudition and braggadocio, and for how he’d gentrified a number of outre genres just by picking them up and mingling them with his erudition and braggadocio.” At the LARB, Jonathan Lethem remembers a formative reading by the author.
“He wrote the first drafts by hand, and when that became too difficult, dictated sections of the book into a tape recorder.” Before his death in July, playwright and actor Sam Shepard wrote a novel called Spy of the First Person, which is forthcoming from Knopf in December. From our archives, a list of writers who also act.
Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.
“This year, Free Comic Book Day turns sixteen years old. The good news: It can drive itself to swim practice now!” NPR’s Monkey See blog provides an irreverent and useful guide to Free Comic Book Day, which is tomorrow, May 6th. “When you read a comic, you are accepting a direct message from one singular honest soul,” Paul Morton wrote in our own pages a few years back.
Frederick Douglass was one of the first people to use photography to control meaning. Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American catalogues his many portraits and how they contributed to our perception of Douglass. Our own Edan Lepucki writes about the place of slave narratives in fiction.