When Maeve Binchy passed away two years ago, she left behind a novel, A Week in Winter, that appeared to cap off an accomplished 40-year career. It turns out her fans have more posthumous work to look forward to: a new 400-page story collection, Chestnut Street, that comes out on April 24th.
Is the practice of using writing as a metaphor for birth, or birth as a metaphor for writing, in need of an overhaul? Stephanie Feldman for Electric Literature has some strong opinions on the subject. Motherhood on the brain, now? Check out this moving essay for The Millions on mothers and sons by Rachel Basch.
It’s been a year since Nobel laureate and Irish poet Seamus Heaney passed away. His publishers are releasing a final collection of his poetry in November. In The Irish Independent, a brief retrospective on Heaney’s legacy, which includes his wife’s unique way of expressing her gratitude to his friends. You could also read Trent Morris’s tribute to Heaney for The Millions.
In Ireland, Easter is a holiday with great historical significance, thanks to the eponymous uprising that took place in Dublin in 1916. W.B. Yeats lived a short distance away from the spot where the uprising began. Compelled to write about the event, Yeats produced one of his most famous poems, the genius of which is analyzed here by Brett Beasleyin. You could also read Matt Kavanagh on Irish financial fiction after 2008.