When Maeve Binchy passed away two years ago, she left behind a novel, A Week in Winter, that appeared to cap off an accomplished 40-year career. It turns out her fans have more posthumous work to look forward to: a new 400-page story collection, Chestnut Street, that comes out on April 24th.
This week, UC Davis students protesting a tuition increase (among other things) were mercilessly pepper sprayed by their own campus police. In response, Nathan Brown, a non-tenured associate professor of English, has spoken out and called for UC Davis chancellor Linda Katehi‘s resignation. In solidarity with Brown’s demand, students silently gathered around Katehi’s office as she exited. For those hoping for further illumination on the entire fiasco, I recommend this list of “Ten Things You Should Know About Friday’s UC Davis Police Violence.” Elsewhere within the UC system, former U.S. Poet Laureate Robert Hass details his harrowing experience at the UC Berkeley protests.
Inua Ellams wrote a poem entitled “Portrait of Prometheus as a Basketball Player” in which he imagined “the fire stolen from the gods to be shaped as a basketball, and Prometheus dunking light into the world.” [Note: Ctrl + F for “Portrait of Prometheus” at this link to read the poem.] Over at Magma, Ellams discusses “the process of composing a poem, as a coach might stitch a [basketball] team together.” Perhaps all of this explains Patricia Lockwood’s interest in Shaquille O’Neal?
“Romance heroines hold jobs. They teach, farm, practice law, work independently as private detectives, or they are involved in the arts, in dance, in theater. They are mothers, ex-wives, Marines. They take up causes and they always want something ‘more’ from their lives—and we aren’t just talking about a partner. In today’s romance, the relationship is part of—and often, a catalyst for—a woman’s journey, not her destination.” On the value of romance fiction.