Lena Dunham is the new voice of the Archie comics generation. The Girls creator will write four issues of the famous comic, coming out in 2015. She’s not the only woman joining the comics industry. DC Comics is adding a Native American teenage girl, inspired by the real Canadian Aboriginal teen activist Shannen Koostachin, to the Justice League United.
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
Cookbooks, in general, are resistant to close reading, if only because their authors are barely present in the text, if at all. Yet sometimes we can discern a personality through the measurements and shopping lists. At Page-Turner, Kathleen Alcott reads the cookbooks of Nigel Slater. Pair with our own Hannah Gersen on reading cookbooks as literature.
“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”
Recommended reading: Sean Singer reviews Poetry of Witness for The Rumpus and calls for readers to see “poems as ethical and political act[s] in the face of extremity.” Pair with selections from editor Carolyn Forché‘s essay on 20th century poetry of witness.
“Who was Bret Easton Ellis describing when he tweeted: ‘The best example of a contemporary male writer lusting for a kind of awful greatness that he simply wasn’t able to achieve’?” The Guardian has a delicious quiz of literary putdowns. And speaking of fighting, let’s talk about books about violence.