We all doodle, but Meg Wolitzer gets inspired by it. When she was writing The Interestings, she frequently drew her way into her characters. “I sometimes drew crude, Harvey- and Archie-inspired images of my characters, in keeping with the spirit of Ethan Figman and Figland,” she wrote in The New Yorker.
Lit crit becomes a legal matter: “The contrast between the total concept and feel of the works is so stark that any serious comparison of the two strains credulity,” wrote the English judge who has dismissed the case against J.K. Rowling brought by the estate of Willy the Wizard author Adrian Jacobs. Jacobs’ estate claimed that Rowling had plagiarized elements of Willy the Wizard‘s plot in Harry Potter and the Goblet of Fire.
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.