Are you the type of reader who craves the food described in novels like our own Nick Moran? Then take The Guardian’s “Food in fiction” quiz. Sample question: “According to the Queen of Hearts in Alice in Wonderland, what kind of food is eaten tomorrow, yesterday, but never today?”
Some very cool Hunter S. Thompson photography showing now at an LA gallery. The show coincides with a pricey new "collector's edition" book that "presents a rare look into the life of Thompson." (via)Another most literate cities list has arrived. In 2006, Seattle wins, with Minneapolis second. My hometown Washington, DC, is tied for third and LA, where I lived when I started this blog, is eighth. The last two cities I've lived in, Chicago (39th) and, now, Philadelphia (tied for 33rd), fail to crack the top ten. Not sure what conclusions I can draw about that, but USA Today draws its own conclusions in an article about the list.Somebody gets into Gwenda's garbage, her papers fly everywhere, and before you know it, she's cought in a "indie movie scene wrought with ironic symbolism." Brilliant.Lesser-Known Editing and Proofreading Marks. Also Brilliant. (via Languagehat)On a more serious note, Tim O'Reilly explains why the book search efforts of Google, et al, are broken. The problem is that we must search in Google's (or Yahoo's) walled garden. There is no way to search across all of the books that have been digitized, which is very much at odds with our experience on the Web, where we can search everything at once.
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Last semester, at UC Riverside, the novelist Susan Straight began the class “Mixed-Race Literature and the American Experience” with a simple question: “How many of you are often asked, What are you?” In an essay about the class, she relates what they learned, which includes the observation that hair is weirdly important in America. (Related: The Millions published an essay by Straight on Toni Morrison's Sula.)
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, "most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. ... The middle of the journey sometimes seems to be all about losing the way."