Out this week: A Place in the Country by W.G. Sebald; Europe in Sepia by Dubravka Ugresic; The Book of Heaven by Patricia Storace; Chance by Kem Nunn; and new paperback editions of Norman Mailer’s Ancient Evenings and Tough Guys Don’t Dance.
Tuesday New Release Day: Sebald; Ugresic; Storace; Nunn; Mailer
But Then Again, Who Wouldn’t Be?
I’m not that into ballet, but if I had to be, I’d be into 1,000 frame-per-second footage of German ballet dancers prancing around to a dance-y remix of Radiohead’s “Everything In Its Right Place.”
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The Buffalo Prize
Hobart (who just joined Twitter) is running a new contest dubbed The Buffalo Prize. Enter for a shot at $500, or if you’re feeling saucy, for the bonus $100 prize awarded to the “best cover letter ridiculing or praising contests.” They’re also calling for interns to join their team, too.
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An Opportunity to Recant
Every book reviewer has probably, at one point or another, savaged a book a bit too savagely. But if given the opportunity, would you recant? Would you admit that you’d overstepped? Would you feel good about doing so? At an event last month, Snowball’s Chance author John Reed hosted an event at which NBCC critics did exactly that.
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Fear in Christian America
Recommended Reading: Marilynne Robinson on the functions of fear and Christianity in America in The New York Review of Books. You could also check out Alex Engebretson’s essay comparing Robinson’s Housekeeping to the Gilead novels.
B&N or Bust
We need Barnes & Noble. Alex Shephard writes on the role of the retailer for publishers and readers. You could also check out our series on the Future of the Book.
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When Literary Praise Goes Too Far
More amusement has been prompted by The History of Love author Nicole Krauss’s arguably over-the-top blurb for David Grossman’s To the End of the Land: “To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” Following Guardian’s subsequent contest for who can write the most absurdly laudatory blurb for a Dan Brown novel, Laura Miller at Salon dissects why author endorsements are so unreliable.