Out this week: Thirty Girls by Susan Minot; The UnAmericans by Molly Antopol; The Bear by Claire Cameron; The News: A User’s Manual by Alain de Botton; The Quiet Streets of Winslow by Judy Troy; a new translation of August by Christa Wolf; The Parallel Apartments by Bill Cotter; and The Journey of a Caribbean Writer by Maryse Condé. For more on these and other new releases, check out our Great 2014 Book Preview.
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: “The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice.” Pair with his recent essay at The Millions on plot and the inciting incident.
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.
ReadThis and The Center for Fiction are throwing a day-long event featuring the likes of Elizabeth Gilbert, Rick Moody, Kurt Andersen, Sam Lipsyte, and Jamaica Kincaid. It’s taking place at 17 East 47th Street in Manhattan on Saturday April 10th. “The price of admission? Your donation of two or more new or gently used board books through grade 12.”
Last April, our own Bill Morris bemoaned the current state of America’s higher education system. At the same time, Malcolm Harris derided the unreasonable cost of that same system. Now Benjamin Ginsberg, author of The Fall of the Faculty, places blame for both criticisms on the shoulders of universities’ expanding administrative staff.