Out this week: Thirty Girls by Susan Minot; The UnAmericans by Molly Antopol; The Bear by Claire Cameron; The News: A User’s Manual by Alain de Botton; The Quiet Streets of Winslow by Judy Troy; a new translation of August by Christa Wolf; The Parallel Apartments by Bill Cotter; and The Journey of a Caribbean Writer by Maryse Condé. For more on these and other new releases, check out our Great 2014 Book Preview.
Tuesday New Release Day: Minot; Antopol; Cameron; de Botton; Troy; Wolf; Cotter; Conde
“Was it a vision, or a waking dream?”
Sherlock star Benedict Cumberbatch performed a haunting interpretation of “Ode to a Nightingale” by John Keats, and the actor has also recently signed on to play Hamlet on the London stage in autumn 2014. This raises the question: is Cumberbatch the British James Franco?
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It’s cool, he senses the danger of genius
John Jeremiah Sullivan spoke to the Guardian about writing, Pulphead, and "finding that island of legitimacy." And then there's his recent NYT Magazine piece on Venus and Serena Williams.
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Great Sentences
We've been writing quite a bit about our favorite books from this year, but Brooklyn Magazine is going one step further and listing 2014's best sentences.
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You Are the Best People
“I am sitting at the open window (at four a.m.) and breathing the lovely air of a spring morning. Life is still good, and it is worth living on a May morning - I assert that life is beautiful in spite of everything! … In a word, there are many thorns, but the roses are there too.” These excerpts from Pyotr Ilyich Tchaikovsky’s letters are just gorgeous.
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The Great Tranquility
"Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor 'useful.' He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive." Every time James Wood publishes a big profile in The New Yorker, it's worth a read; this week's essay on the "secular psalmist" and poet Yehuda Amichai is no different.
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Along “The Colbert Bump”
"The Colbert Bump didn’t get so much media attention and public support because everyone wanted to talk about me and my novel. People wanted to support book culture, to say that books and writers matter, and that we should be doing everything we can to ensure their continued existence, if not their success. In short, The Book is not dead!" Our own Edan Lepucki and Stephan Eirik Clark talk about their experiences as debut authors on "The Colbert Bump," and the piece pairs nicely with Edan and Millions staff writer Bill Morris's article about the many paths writers follow to publication.
I Sanction This
Talk about built-in irony: the class of tricky words known as “contronyms” can mean the opposite of what you think they mean.
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