The 500 Hats of Bartholomew Cubbins was more than just a Dr. Seuss book but a reality for the writer. Seuss was as fond of hats as he was rhyming and now part of his chapeau collection will be touring the U.S. 26 of his hats will stop in Atlanta, New Orleans, South Lake Tahoe, Tampa, Midlothian, and Northampton. For more Seuss, read our essay on censorship of The Lorax.
The Ultimate Cat in the Hat
“In a communal dressing room”
“Long before feminism made fashion a guilty pleasure, my first experience of the sisterhood among strangers took place in a communal dressing room.” Judith Thurman writes for The New Yorker about Women in Clothes and her experiences in thrift stores and clothing swaps. For more about the connections between feminism, dressing and literature, check out Rachel Signer‘s Millions review of the same anthology.
Finnegans Wake Hits Chinese Shelves
I don’t know how they managed to translate the thunderwords into Chinese, but if sales figures indicate success, they did a bang up job. Finnegans Wake is huge in China right now.
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Fellow Writers
BuzzFeed is looking for the next round of applicants for their annual Emerging Writers Fellowship, which has a mission to “diversify the broader media landscape by investing in the next generation of necessary voices.” The fellowships are given to four nonfiction writers and include a $12,000 stipend and career mentorship from BuzzFeed’s editorial staff. The deadline is October 1.
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Walter White’s Bookshelf
Sad that Breaking Bad is over? Bryan Cranston might have a new TV show on the way, and it was inspired by The Dangerous Book for Boys, he said in an interview for The New York Times “By the Book” series. While you wait, check out our article on what to read after you’ve finished watching Walter White’s saga.
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Brooklyn Art Book Fair Kicks Off Tonight
More than 40 independent, artist-run presses and organizations will be on hand, including Pioneerworks Press, BOMB Magazine, Printed Matter, Wendy’s Subway, and Meekling Press.
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The Art of Fiction No. 207: Jonathan Franzen
“I’ve never felt less self-consciously preoccupied with language than I did when I was writing Freedom.” Lorin Stein introduces The Paris Review’s new Winter issue, and includes excerpts from the Art of Fiction interview with Jonathan Franzen.